Review: Venus and Serena Williams biopic smashes an ace
Venus and Serena Williams are portrayed terrifically in “King Richard,” a biopic that follows the formula but is overall effective.
Venus and Serena Williams are portrayed terrifically in “King Richard,” a biopic that follows the formula but is overall effective.
For a man who has no experience directing movies, television or musicals, Lin-Manuel Miranda keeps “Tick, Tick … Boom” from bombing.
“Belfast” does an incredible job depicting the conflict between Protestants and Catholics in Northern Ireland through the life of a neutral family.
“The Harder They Fall” is a new Netflix western featuring an all-Black cast. While intense and fun, the film features signs of a first-time director.
Mind-boggling effects and beautiful cinematography of 1960s London can’t save “Last Night in Soho” from being an unsuccessful girl-boss thriller.
The “Paranormal Activity” series continues with “Paranormal Activity: Next of Kin,” a surprisingly creative and effective addition to the series.
“Dune” is the first well-told adaptation of Frank Herbert’s classic sci-fi novel and has ruthless villains and interesting characters.
“The French Dispatch” is a perfect example of the failures of modern art. It looks nice and has its own personality, but has next to no substance.
The “Halloween” brand is an automatic sell — especially in October — so even trying to make an intelligible film seems too lofty an ambition.
“The Velvet Underground” is a beautiful documentary that recounts the role of the eponymous band in the 1960’s avant-garde scene in New York City.
“Lamb” is not so much an art film as it is an artifice film that gestures at the complex themes that it aspires to have.
“No Time to Die,” Daniel Craig’s final role as James Bond, offers a combination of intense action and rich emotion that is shaken, not stirred.