Review: Strong vocals propel punk band’s style expansion
Screaming Females unveil a newfound range of musical style in “Rose Mountain.”
Screaming Females unveil a newfound range of musical style in “Rose Mountain.”
Rhythm and blues singer Raheem DeVaughn returns with “Love Sex Passion,” an overproduced album that sacrifices quality for quantity.
“Kingsman: The Secret Service,” starring Colin Firth and Samuel L. Jackson, adds a new flair to the stereotypical spy genre.
Following up their previous success in “Night Visions,” Imagine Dragons offers individual gems in a muddled overall album.
Unabashedly mediocre and morally stilted, “Fifty Shades of Grey” is a markedly shallow cinematic experience.
After a fourteen year hiatus, R&B singer Sisqo returned for the last album in his “dragon trilogy.”
Written and directed by Richard Glatzer and Wash Westmoreland, “Still Alice” follows the life of a renowned linguistics professor after she is diagnosed with Alzheimer’s.
Irish alternative-rock group Kodaline disappoints fans by straying from their signature, ghostly sound.
“Reflection” marks a strong debut for Fifth Harmony, boasting girl-empowering lyrics and strong vocal range.
Emphasized by a spectacular performance from Marion Cotillard, “Two Days, One Night” examines the boundaries of human empathy.
Kid Ink’s newest album, “Full Speed,” bungles his genre with inconsistent style and lack of lyrical prowess.
“The Phosphorescent Blues” is the Punch Brothers’ best album yet, combining Romantic-era motifs with elements of bluegrass.