‘Deja View’- 2020 Oscars Recap
This episode of Deja View, host Rachael Weinberg invites DKA programming chair, Ciara Naughton to recap the 2020 Oscars.
This episode of Deja View, host Rachael Weinberg invites DKA programming chair, Ciara Naughton to recap the 2020 Oscars.
In host Rachael Weinberg’s first episode rolling solo, she reviews Knives Out (2019) and compares it to Clue (1985) to reveal the influence and history of the whodunit from then to now.
This week, host Rachael Weinberg has on The Ithacan Life and Culture editors, Avery Alexander and Arleigh Rodgers, to talk about the Oscar nominations and predict winners!
In the first episode of 2020, co-hosts Rachael Weinberg and Diego Medina compare Martin Scorsese’s The Irishman to his 1990 film Goodfellas.
Hosts Rachael Weinberg and Diego Medina return from the dead to review Zombieland: Double Tap and compare it with Dawn of the Dead.
Hosts Rachael Weinberg and Diego Medina review the new release “Joker” and compare it to the 1982 Martin Scorsese film “The King of Comedy.”
Hosts Rachael Weinberg and Diego Medina compare the new release “Rambo: Last Blood” to the original, talk the origination of the action blockbuster, and Sylvester Stallone’s acting career.
In their second episode, hosts Rachael Weinberg and Diego Medina review “IT Chapter Two” (2019) and compare it to another Stephen King adaptation, “The Shining” (1980).
In their first episode of the semester, hosts Rachael Weinberg and Diego Medina review the new release “47 Meters Down: Uncaged” and compare it to the original shark blockbuster, “Jaws.”
47 Meters Down: Uncaged trailer: https://www.youtube.com/watch?v=AvXjx8SZbv8
On Jake’s finale episode of Deja View, he sits down with Tyler Obropta talk about “Avengers: Endgame.” Or at least try to, before they get side tracked by “Mamma Mia” and “Scooby Doo.”
This week on Deja View Jake Leary and Liza l sit down to talk about “After,” a problematic adaptation of a problematic story.
On this week’s “Deja View,” host Jake Leary and staff writer Silas White compare Jordan Peele’s “Us” to his previous horror masterpiece, “Get Out.”