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THE ITHACAN

The Student News Site of Ithaca College

THE ITHACAN

Review: A Day To Remembers Bad Vibrations misses the mark

Review: A Day To Remember’s ‘Bad Vibrations’ misses the mark

By Hayley Tarleton, Staff Writer September 17, 2016
This album jumps right into its harsh sound with title track “Bad Vibrations.” While old fans will recognize the dark, emo sound and possible nostalgic themes of early 2000s punk, other listeners will skip over this song. Under lead singer Jeremy McKinnon’s screaming vocals, a loud guitar riff follows an overdone beat, producing nothing more than a blaring tune.
Review: The Head and the Heart tugs at listeners heartstrings

Review: The Head and the Heart tugs at listener’s heartstrings

By Olivia Riggio, Contributing Writer September 14, 2016
All artists experiment with their sound, and The Head and the Heart is no exception. Though many fans might be disillusioned by the band’s newfound dance-pop sound, the album is well-produced and full of catchy songs. The 13-track LP contains some gems, and despite some breaches in originality, it is energetic and easy to listen to.
Review: Frank Oceans visual album Endless addresses his fame

Review: Frank Ocean’s visual album ‘Endless’ addresses his fame

By Lisbeth Perez, Contributing Writer September 14, 2016
Ocean’s 45-minute film gives viewers more than expected. With a combination of mesmerizing lyrics and several look-alikes, he presents himself as prodigal and self-aware. Under the limelight, it’s difficult for artists to remain down-to-earth.
Stranger Things, set in the fictional town of Hawkins, Indiana, follows the lives of Mike (Finn Wolfhard), Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin) and Eleven (Millie Bobby Brown) as they search for their friend, Will (Noah Schnapp).

Review: Netflix original ‘Stranger Things’ mirrors ’80s tropes

By Jake Leary, Contributing Writer September 12, 2016
A vile monster. A lovable band of children. A grand conspiracy. A soundtrack worthy of John Carpenter. This is Netflix’s “Stranger Things”: the ’80s homage that still dominates conversation nearly two months after its release.
In Dont Breathe directed by Fede Alvarez, the Blind Man (Stephen Lang, pictured) chases down three teens after they attempt to steal from his house. The wild chase film also stars Jane Levy and Dylan Minnette. It  was released to theatres in American on Aug. 26.

Review: ‘Don’t Breathe’ defies typical horror films

By Colin Barrett, Contributing Writer September 10, 2016
“Don’t Breathe” is more grounded in its script and its direction — it doesn’t rely on typical jump scares, but it builds tension throughout.
Review: Bayside makes waves with seventh studio album Vacancy

Review: Bayside makes waves with seventh studio album ‘Vacancy’

By Stephanie Miller, Contributing Writer September 6, 2016
“Vacancy” provides a sense of Bayside’s old sound, which fans can get behind, while still introducing a unique, complicated change to its music.
In “The Little Prince”, the Aviator (Jeff Bridges) tells the classic tale of the Prince to the Little Girl (Mackenzie Foy) in the stop-motion film remake of the classic childhood novel of the same name by Antoine de Saint-Exupéry.

Review: ‘Little Prince’ transports viewers back to childhood

By Jake Leary, Contributing Writer September 4, 2016
Netflix’s “The Little Prince,” based on the classic work of Antoine de Saint-Exupéry, delivers such a rich range of emotion, moral and visual complexity. This complexity is evident in “Prince” — each chapter of the Prince’s quest, from his home on the minuscule Asteroid B-612 to the vast expanse of the Sahara Desert, is rendered in stop-motion.
Review: Glass Animals alt-indie album shatters expectations

Review: Glass Animals’ alt-indie album shatters expectations

By Kate Nalepinski, Assistant Life and Culture Editor August 30, 2016
Somehow, Glass Animals created a sound so intricate that regardless of the listener’s environment, the album feels full and complete. This album is ideal for loud parties on Friday nights, but it also includes tunes that can create a calmer atmosphere more appropriate for a rainy evening.
Harley Quinn (Margot Robbie) is a psychotic clown with a terrifying backstory in the movie adaptation of Suicide Squad.

Review: ‘Squad’ adaptation refuses to stay true to comics

By Kate Nalepinski, Assistant Life and Culture Editor August 22, 2016
The concept of the Suicide Squad — a group of supervillains who are signed up to do the government’s dirty work — is strong. But when a director subtracts the action, emotion and comedic relief, and replaces it with backstories and unaddressed abusive relationships, it fails.
Review: AJJs altered sound disappoints listeners

Review: AJJ’s altered sound disappoints listeners

By Mary Ford, Life and Culture Editor August 21, 2016
In “The Bible 2,” harmonized vocals, heavy guitars and percussion give the music a disappointingly generic energy.
Erin Gilbert (Kristen Wiig), Patty Tolan (Leslie Jones), Jillian Holtzmann (Kate McKinnon) and Abby Yates (Melissa McCarthy) unite, complete with uniforms, to fight off Manhattans ghosts in this satirical remake of the 1986 original Ghostbusters.

Review: Satirical remake of ‘Ghostbusters’ fails to please

By Mary Ford, Staff Writer August 7, 2016
It’s obvious the “Ghostbusters” team put a great deal of thought into how best to bridge the gap between old and new. In the end, however, the original wins out.
Hank (Ed O’Neill) gives suggestions to Dory (Ellen DeGeneres) on how the duo can escape from the Australian aquarium where they were spontaneously placed.

Review: “Finding Dory” eagerly addresses mental disabilities

By Jacqueline Borwick, Staff Writer August 4, 2016
As audience members follow Dory on her journey to reunite with her family in the wide expanse of the ocean, they are overcome with emotions of sadness, hopefulness, and contentment as Dory is aided by other sea creatures along with Marlin and Nemo.
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