Review: “Triple Frontier” lacks ingenuity and sincerity
“Triple Frontier” is shaped by three things — a cataclysmic heist feat, bitter ex-soldiers and the blurry setting in which director J.C.
“Triple Frontier” is shaped by three things — a cataclysmic heist feat, bitter ex-soldiers and the blurry setting in which director J.C.
Perhaps the reason why Patty Griffin has decided to name her latest album after herself is because, above all else, her soothing and intimate voice dominates the stripped tracklist.
In his 10th studio album, “Freedom’s Goblin,” Ty Segall joins fuzzy guitar with electronic funk.
Although the cooler months are already in full swing, the city will bundle up this weekend to celebrate the cold rather than combat it.
Each track on “Delta” is sensational, and the band’s excellence will not be forgotten in years to come.
Comedians, ventriloquists, singers and acrobats all nestled into the comfortable chaos of vaudeville performances, which first emerged in the 1850s.
The album contains the merriness and brightness any listener expects from a Christmas album.
Previous years have featured films with more classic horror themes, complete with blood, guts and gore. But, at this year’s festival, the program deviates from its typical grisly lineup.
“Forever Neverland” is a testament to how pop artists aren’t necessarily bound to the conventional boundaries of pop music.
Though “Blaze” is a dramatization of the ’70s musician Blaze Foley’s life, Hawke doesn’t adhere to typical biopic conventions.
Spellbinding shifts in cinematography from points of near clarity to ones of hazy confusion make the film’s visuals equally unintelligible.
The album is executed with precision from the very start — dominating guitar riffs and growling vocals prove this album is solely McCartney’s.