Art professors adapt to a different medium
With the transition to hybrid classes, art professors have to balance teaching students on Zoom and in person while abiding by COVID-19 safety guidelines.
With the transition to hybrid classes, art professors have to balance teaching students on Zoom and in person while abiding by COVID-19 safety guidelines.
“The United States vs. Billie Holiday,” Hollywood’s latest conveyor-belt music biopic is an insulting depiction of one of the finest singers of the swing era.
Chloé Zhao’s “Nomadland” is a slow slog through the desert with actor Frances McDormand. The use of a Hollywood name like McDormand makes the film feel less authentic than Zhao’s other works.
“A Bright Ray of Darkness” is a backstage dark-comedy about an actor’s fall from grace, written by Hollywood big name Ethan Hawke.
With the Trump train derailed for at least a few years, there is time for America to ask itself some important questions. How did we get here? What happened? Where do we go from here?
“To All the Boys: Always and Forever,” the final film in the “To All the Boys” trilogy, picks up where its predecessors left off.
“Medicine at Midnight” is for the most part just like every prior Foo Fighters album, but there is still some fun to be had.
For the women of the new Mandarin-language Netflix film, fate has rigged their family on a slippery slope of grief.
Diego Pinera, an underground German Uruguayan jazz fusion musician, mixes sweet and sour on his new record “Odd Wisdom.”
Whether they be potential Oscar nominees or just a good time, The Ithacan Life & Culture staff highlighted some of the films from the end of 2020 and the beginning of 2021.
Music Director Giancarlo Guerrero and the Nashville Symphony Orchestra perform two of Adams’ classics — “My Father Knew Charles Ives” and “Harmonielehre”
Picture books are challenging socially conservative institutions in the hope of creating a new world for all children.