Fincher’s newest film, “Mank,” proves there is an interesting story to be told, but the narrative never presents itself.
Sacha Baron Cohen’s sequel to his famous film “Borat,” “Borat Subsequent Moviefilm,” exposes the bigoted underbelly of the United States just as the first one did.
“The Trial of the Chicago 7” — writer and director Aaron Sorkin’s new Netflix film — mistakes gaudy self-importance as inherent relevance.
“Hubie Halloween” is more of a trick than a treat. The plot uses familiar tropes to transition Hubie from one comedic set piece to another.
“Whole New Mess,” the recent album by singer-songwriter Angel Olsen, creates new versions of a few tracks from her previous album “All Mirrors.”
In an interview with Indiewire about her latest film, “Portrait of a Lady on Fire,” director and writer Céline Sciamma said, “We want people to have their heart broken and think about themselves.” Although she made this statement about “Portrait of a Lady on Fire,” it accurately represents all of Sciamma’s cinematic output so far.
Watching an episode of ’s hit show “Impractical Jokers” is like hanging out with a group of high school class clowns — except they are all middle-aged and have a long-running television show.