Review: “Hellboy” remake can not save itself from damnation
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
“Us” is at once familiar and foreign — it’s a traditional slasher turned and twisted into something radical and bizarre.
“Alita: Battle Angel” wears its influences proudly — maybe a little too proudly.
On this week’s Deja View, host Jake Leary sits down with Aidan Lentz to parse out whether “Alita: Battle Angel” is more than robot-rending action.
Every month, a slew of sci-fi thrillers, rom-coms and documentaries dribble out on Netflix — most with little or no fanfare.
Based on the short story “Gräns” by John Ajvide Lindqvist, “Border” has all the unrestrained pretension of Oscar bait: a sluggish pace, an inscrutable fantasy element and a relentless melancholy.
“SEND ME FREE JUUL PODS FOR LIFE, BITCH!!”
“Chilling Adventures of Sabrina” follows the same dark path as “Riverdale”: taking classic Archie characters and giving them a grim makeover.
One frightful night was enough; like its ghoulish mascot, the “Halloween” franchise should have been killed long ago.
Insomniac’s version of Spider-Man is not only the best video-game adaptation of the scarlet web-slinger but the best onscreen take on the character.
It’s a film that’s full of wonderful, creepy ideas that are either left half-explored or take ridiculous turns in the third act.
It’s an unpleasant movie that successfully tells the story Levinson set out to make, but that narrative is too grotesque and cruel to enjoy.