Review: ‘The Circle’ falls disastrously flat
“The Circle” is another in a long line of science fiction films that recklessly damns innovation without acknowledging the necessity of advancement.
“The Circle” is another in a long line of science fiction films that recklessly damns innovation without acknowledging the necessity of advancement.
“The Rover” is the final main stage production from the Ithaca College theater department for the 2016–17 season.
It isn’t the job of art to answer questions, but to ask them — “The Immortal Life of Henrietta Lacks” does the bare minimum.
“The Void” falters and becomes the very thing directors Jeremy Gillespie and Steven Kostanski attempt to avoid becoming — predictable.
The album fills the void left by the disappearance of classic rock, a hole in the musical landscape that only the giants of the genre can repair.
The frames flow with intoxicating grace, making the characters feel more real than the theater and the bags of popcorn in the viewers’ hands.
Sophomore Ryan Downie said he decided to drop by because he could kill two birds with one stone: He could donate to charity and get a haircut.
“XX” is a compilation of realistic domestic anxieties that excels at portraying intimate drama but fails to deliver satisfying horror.
“A Cure for Wellness” could have heralded a return to the classic horror of the late 19th and century, but instead sinks into convoluted cliche.
The Rom Com 48 Film Festival, as the name suggests, challenged students to make the best 3–5 minute romantic comedy short in 48 hours.
The name of the group honors longtime Ithaca resident Dorothy Cotton, an outspoken civil rights figure who worked alongside Martin Luther King Jr.
The gritty, tense conclusion to “Life Without Sound” is undermined by the bland tracks that open Cloud Nothings’ latest album.