Review: Adapted romance film ‘After’ just as problematic as book
“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.
“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.
The first season of “Shrill” is best described as a sweet and slow character study about discovering self-worth and the selfishness that can accompany it.
An 18th-century British periodical that disguised political commentary through an innocuous narrator — a bird — inspired a paper by Ithaca College junior Eliana Berger that illustrated how oppressed voices of the time spoke out.
The second season of “The Marvelous Mrs.
“Can You Ever Forgive Me?” is a heist film, but don’t expect any bombs or car chases.
Ultimately, the film tries and fails to add any nuance to the young adult rom-com conversation.
“The Bold Type” demonstrates that a show can prioritize both high-stakes subject matter alongside personal drama.
The film’s true focus is on the people who surround the family — the political fixers that maintain the Kennedy mythology.
Meeting the incredibly high standard set by the first season of Marvel’s “Jessica Jones” was always an unattainable goal.
“Forever My Girl” feels like a Hallmark Channel movie that mistakenly got a wide release.
“Lady Bird” renders every previous coming-of-age film shallow, insincere and outdated.
“My main ambition is to continue contributing to this field, as a writer, as a thinker, and to be in a position to help mentor students.”