Review: Period drama leaves viewers in a state of wonder
“The Wonder” tells a beautiful story about overcoming trauma, loss and grief, thriving on the use of nuances and subtleties throughout.
“The Wonder” tells a beautiful story about overcoming trauma, loss and grief, thriving on the use of nuances and subtleties throughout.
“She Said” is a powerful spotlight on the two journalists that reported on Harvey Weinstein’s pattern of sexual assault against women.
Despite some compelling tracks, nothing new, musically complex or particularly engaging is being done in Joji’s third studio album, “SMITHEREENS.”
Following the mixed reactions to the final season of “Game of Thrones,” this new prequel show creates an exceptional viewing experience.
Director Andrew Dominik objectifies Marilyn Monroe (Ana de Armas) throughout “Blonde,” making for an extremely unpleasant viewing experience.
Following the success of “Booksmart,” Olivia Wilde returns to the director’s chair. Unfortunately, a lazy script makes “Don’t Worry Darling” unsatisfactory, despite Florence Pugh’s best efforts.
The historical-fiction film, “The Woman King,” refuses to sacrifice anything in the pursuit of cinematic perfection.
Disney wishes another one of their animated classics to life with the live-action version of “Pinocchio,” producing mixed results.
Musical Producer Pi’erre Bourne has worked with big names like Kanye West and Travis Scott, but his new standalone album is simply misogynistic and lazily structured.
The comedic satire “Honk for Jesus. Save your Soul.” effectively tackles the immense misappropriation of wealth that occurs within Christianity.
Walter Byongsok Chon, associate professor in the Ithaca College Department of Theatre Arts, was awarded a grant for the translation of Korean literary works.
The indie rock band Why Bonnie comes out of the gates strong with their first full-length LP, “90 in November.”