It is a slasher set in a time loop, and director Christopher Landon seems to think that premise alone is enough to power the whole film.
Garth Davis excels in ways that shouldn’t look so easy: His world is appropriately naturalistic and his story smoothly balances its emotional heft.
Much of the album sizzles with a popping energy courtesy of Garratt’s piercing falsetto and an inclination toward a style that’s constantly changing.
“Zoolander 2” could have been clever. It could have been witty, with consistently funny jokes or a compelling story. But it has none of these things, and it is ultimately a movie that is just as offensively dumb and pointlessly inane as its main characters.
Though it champions a story structure that’s been used many times before, “The Finest Hours” is a rescue story buoyed by some terrific maritime action sequences and very good acting performances.