Over a decade after her Academy Award-winning portrayal of a troubled young woman in “Silver Linings Playbook” (2012), Jennifer Lawrence returns to that archetype with “Die My Love,” released Nov. 7.
Since Mary Shelley released her novel “Frankenstein; or, The Modern Prometheus” in 1818, the tale has received hundreds of adaptations, spanning from film to television to plays.
UK alternative rock band Florence + The Machine continued to showcase its diverse array of talents with the release of its sixth studio album, “Everybody Scream,” on Oct. 31. It is an album that is an incredible display of the band’s talent in its production, lyrics and emotional themes that it performs in a span of 49 minutes.
A remake of the South Korean film “Save the Green Planet! (2003)” directed by Jang Joon-hwan, “Bugonia” is one of the best and most memorable films of the year.
On Oct. 24, Demi Lovato released her ninth studio album titled “It’s Not That Deep.” The album marks a return to a pop style sound, though with more electro sound this time.
Is there a price to partnership? If “Blue Moon,” the newest film from frequent collaborators Richard Linklater and Ethan Hawke is any indication, the price is a wonderful product. The film is remarkably simple, but it is brought to life by a finely-tuned script and excellent performances.
Biopics have been a common genre in the world of Hollywood over the past few years. The trend now continues with “Springsteen: Deliver Me from Nowhere,” which was released on Oct. 24. Director Scott Cooper created a successful movie sharing the intimate aspects of songwriting aside from certain downfalls in timing.
It is hard to understate how difficult it is to create a movie in which Keanu Reeves and Seth Rogen share screen time and manage to sound exactly the same. Through some uninspired choices in the writing and directorial departments from Aziz Ansari, “Good Fortune” unfurled its angelic wings Oct. 17, only to find they were too small to handle the weight of its own expectations.