Authors capitalize off of famous book series with poor sequels
Remakes, sequels and prequels keep appearing on movie screens and bookstore shelves to bank off of nostalgic fans.
Remakes, sequels and prequels keep appearing on movie screens and bookstore shelves to bank off of nostalgic fans.
It isn’t difficult to see a pattern in how listeners respond to music based on the artist who creates it.
The Walt Disney Co.’s reputation has been permanently marked by racial intolerance.
People love movies, and they love to explore what makes their favorite films tick.
So what is a Black person to do when most sci-fi either ignores us, portrays us badly or does the bare minimum to include us?
The murder of George Floyd, its accompanying protests and the coronavirus pandemic putting the world on pause have resulted in a nationwide reckoning.
Pop music has received quite the boost from TikTok, the latest and exceptionally popular video-sharing social media app.
Using energetic voice-overs and editing that pops, a video essay effortlessly takes someone through every step of an argument.
“Avatar: The Last Airbender” has always been praised for its culturally diverse cast of characters.
This state of quarantine is no fun.
When looking back on the most popular films of 2019, I noticed a trend.
In an interview with Indiewire about her latest film, “Portrait of a Lady on Fire,” director and writer Céline Sciamma said, “We want people to have their heart broken and think about themselves.” Although she made this statement about “Portrait of a Lady on Fire,” it accurately represents all of Sciamma’s cinematic output so far.