Review: Maya Hawke does not expand on her potential
Following her first album “Blush,” released in 2020, Maya Hawke’s follow-up, “MOSS,” fails to capture the full potential of Hawke’s clear talent.
Following her first album “Blush,” released in 2020, Maya Hawke’s follow-up, “MOSS,” fails to capture the full potential of Hawke’s clear talent.
Singles for the week 9/26.
The first half of “The Hardest Part,” the first LP from Noah Cyrus, is the standout of the entire record.
Singles for the week 9/19.
On Rina Sawayama’s second studio album following her smash hit “SAWAYAMA,” she moves toward introspection, showing real growth as an artist.
Joe Keery, who is mostly known for his role on “Stranger Things,” dons the musical moniker Djo on his excellent sophomore album “DECIDE.”
Singles for the week 9/12.
“Patient Number 9,” the new album by Ozzy Osbourne, effectively captures the mischievous, defiant energy of heavy metal.
John Legend explores the topics most personal to him in his new album “Legend,” one of the most emotional and vulnerable works of his career.
Musical Producer Pi’erre Bourne has worked with big names like Kanye West and Travis Scott, but his new standalone album is simply misogynistic and lazily structured.
Alternative artist YUNGBLUD’s offers up a self-titled album of his own, which, despite a strong start, struggles to be anything memorable by its conclusion.
Singles for the week 8/29.