Review: Joji’s third studio album returns to his sad boy era
Despite some compelling tracks, nothing new, musically complex or particularly engaging is being done in Joji’s third studio album, “SMITHEREENS.”
Despite some compelling tracks, nothing new, musically complex or particularly engaging is being done in Joji’s third studio album, “SMITHEREENS.”
Singles for the week 11/7.
“My Policeman” spans the course of 40 years, with flourishing cinematography keeping the viewer’s attention despite an underdeveloped storyline.
The new film from Phyllis Nagy, “Call Jane,” is inspired by the true story of a group of feminists who ran an underground abortion clinic.
Adapted from a 2013 novel that was based on a true story, “The Good Nurse” feels diluted, leaving viewers wondering why this story needed to be told.
The german remake of the 1930 film “All Quiet on the Western Front” brings to life the dark, traumatizing and life-changing nature of war.
After a 16-year hiatus from directing, Todd Field returns with his latest film. As a careful character study, “Tár” succeeds with flying colors.
Singles for the week 10/31.
“Riotsville, USA” is a triumph of documentary filmmaking, perfectly capturing the tone of a nation constantly shifting and changing.
Following the release of their experimental album “Tranquility Base Hotel & Casino” in 2018, Arctic Monkeys returns with an excellent new record.
One of the only highlights of “Black Adam,” a comic book movie buried in tropes, is the moral question it poses about what it means to be a hero.
Following the mixed reactions to the final season of “Game of Thrones,” this new prequel show creates an exceptional viewing experience.