Review: A cast of famous comedians fail to save an unfunny sequel
If “Coming to America” did not exist, then perhaps “Coming 2 America” would work as an overextended pilot to a sitcom predetermined for a short lifespan.
If “Coming to America” did not exist, then perhaps “Coming 2 America” would work as an overextended pilot to a sitcom predetermined for a short lifespan.
“WandaVision” is the newest addition to the Marvel Cinematic Universe, currently streaming on Disney+.
While the triumph of “Raya and the Last Dragon” does not dismiss Disney’s deep, dirty history of racial inequity, it is a massive step in the right direction.
King Gizzard & The Lizard Wizard’s newest album, “L.W.,” mixes sounds of the band’s previous albums while still experimenting.
Singles for the week 3/8
Disney+’s “Flora & Ulysses” perfectly captures this sense of imagination in a family-friendly adventure filled with laughs, charm and plenty of heart.
Tom and Jerry have returned to the big screen with their famous hijinks. “Tom and Jerry,” directed by Tim Story, tells the tale of the classic cartoon cat and mouse with a modern twist.
“Moxie,” directed by Amy Poehler, is a movie that represents the new era of feminism — white feminism, that is.
“The United States vs. Billie Holiday,” Hollywood’s latest conveyor-belt music biopic is an insulting depiction of one of the finest singers of the swing era.
Singles for the week 3/1
Chloé Zhao’s “Nomadland” is a slow slog through the desert with actor Frances McDormand. The use of a Hollywood name like McDormand makes the film feel less authentic than Zhao’s other works.
Giving a much-needed breath of fresh air to the crime-thriller genre, “I Care a Lot” is a gratifying adrenaline rush from start to finish.