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Accuracy • Independence • Integrity

July 17, 2019   |   Ithaca, NY

Review: Superhero movie has electric beginning

By | Apr 18, 2019

With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.

Review: Khalid’s summery record flows with sunny spirit

By | Apr 16, 2019

Khalid’s new album, “Free Spirit,” is the record of the summer, made for wind-whipped midnight car rides, relaxing in bed on an easy Sunday afternoon with a cup of coffee or for a gloomy, rainy day with thunder rolling by.

Review: Adapted romance film ‘After’ just as problematic as book

By | Apr 16, 2019

“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.

Review: “Pet Sematary” comes back from the grave

By | Apr 15, 2019

If an ominous phantom tells you not to mess with the barrier between life and death, you’d think you should listen to him.

Review: Pop-rock album falls short

By | Apr 15, 2019

Having a unique sound can make or break a band.

Review: “You Are Ok” album is more than just OK

By | Apr 14, 2019

The Maine has an empowering message for listeners: “You Are Ok.”
With the release of its seventh studio album, “You Are Ok,” alt-rock band The Maine put to rest the slow, emotional phase of its last era with this upbeat and cohesive set.

Review: “Dumbo” struggles to take flight

By | Apr 9, 2019

Disney’s live-action remakes have hit a rocky point as they adapt one of its more unusual characters in “Dumbo.” Directed by Tim Burton, “Dumbo” seeks to recreate the 1941 animated classic on a larger scale, and it succeeds occasionally, but not enough to distract from its lack of pizazz.

Review: Comedy “The Beach Bum” gets sand in it

By | Apr 8, 2019

“The Beach Bum,” a movie written and directed by Harmony Korine, is about exactly what one might expect from the title, and absolutely nothing more.

Review: “Delhi Crime” is deeply moving and straight-forward

By | Apr 7, 2019

A young man and young woman lie naked on the side of a road in Mahipalpur, India, at nighttime.

Review: “The Highwaymen” is a drag

By | Apr 7, 2019

Few images have been burned into the American consciousness like the young robbers’ violent demise in Arthur Penn’s “Bonnie and Clyde.” Bullets punch through the car into Bonnie and catch Clyde in an agonizing slow-motion free-fall, a haunting, iconic scene that looms over John Lee Hancock’s new Netflix drama, “The Highwaymen.” It’s about the Texas Rangers who riddled Bonnie and Clyde with bullets, and Hancock’s film never leaves the shadow of Penn’s 1967 take on the story.

Review: Billie Eilish’s record is a spectral dream

By | Apr 7, 2019

Two years after Billie Eilish catapulted onto the indie-alternative scene with her EP “dont smile at me,” the 17-year-old artist released her magnum opus of a debut album: “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?” Eilish explores the positives and negatives of adolescence, love and pain, all with a mix of somber vocals and sharp, electrical beats.  

Review: Singles for the Week of of 4/7

By | Apr 7, 2019

“Unbearably White”
Vampire Weekend
Released April 4, 2019
Spring Snow, LLC.