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December 2, 2022
Ithaca, NY | 39°F

Review: King Gizz begins impressive three album run

By | Oct 19, 2022

With their 21st full-length album, “Ice, Death, Planets, Lungs, Mushrooms and Lava,” King Gizz creates their longest cuts yet.


Review: Art the Clown returns to terrify audiences

By | Oct 19, 2022

A stronger female lead and an overall well-rounded narrative allow this sequel to the first “Terrifier” film to heighten the tension.


Review: Charlie Puth is not afraid to get personal

By | Oct 18, 2022

“CHARLIE” takes fans of Charlie Puth on an emotional ride with standout tracks like “Charlie Be Quiet!” and “That’s Hilarious.”


Review: Singles of the Week 10/10

By | Oct 17, 2022

Singles for the week 10/10.


Review: Björk returns to earth with magnificent record

By | Oct 12, 2022

“Fossora” sees Björk return to earth, crafting a scattered album brought together by reed orchestras and hardcore electronic beats.


Review: Vietnam war film fails to capitalize on themes

By | Oct 12, 2022

Academy Award-winner Peter Farrelly, mostly known for “Green Book,” imbues his latest film with the same sappy plotting and screenplay.


Review: Horror film transforms mental trauma tropes

By | Oct 11, 2022

With a premise as silly as a woman being haunted by people smiling, writer and director Parker Finn delivers a strong horror film dealing with trauma.


Review: Hollywood icon reduced to her worst moments

By | Oct 10, 2022

Director Andrew Dominik objectifies Marilyn Monroe (Ana de Armas) throughout “Blonde,” making for an extremely unpleasant viewing experience.


Review: Gay rom-com brings all the laughs

By | Oct 9, 2022

Billy Eichner of “Billy on the Street” fame is the lead star in director Nicholas Stoller’s latest comedy “Bros,” one of the funniest films of 2022.


Review: Courting makes strong initial impression

By | Oct 5, 2022

The indie rock band Courting debuts their inventive first album, “Guitar Music,” to much success and acclaim.


Review: Political thriller loses itself in the chaos

By | Oct 5, 2022

Romain Gavras has directed a visually stunning but narratively empty thriller that showcases how political movements spread.


Review: Lazy writing fails Olivia Wilde’s thriller

By | Oct 4, 2022

Following the success of “Booksmart,” Olivia Wilde returns to the director’s chair. Unfortunately, a lazy script makes “Don’t Worry Darling” unsatisfactory, despite Florence Pugh’s best efforts.