Weddings and the days leading up to that special moment can be full of drama, but in “The Drama” which released April 3, the chaos is taken to another level. Emma Harwood (Zendaya) and Charlie Thompson (Robert Pattinson) have their love tested to the maximum in the week leading up to their forever after.

Action star Glen Powell forms a “get-rich-quick” scheme that’s likely more ethical than any money-making methods of actual billionaires in John Patton Ford’s dark comedy “How to Make a Killing,” released Feb 20.

“The Legend of Ochi” is an incredible visual experience. The cinematography, special effects, sound effects and soundtrack are all awe-inspiring. The plot and dialogue, however, are completely convoluted. So while this movie is well-made, it is not any good.

“Warfare,” co-directed by Alex Garland and Ray Mendoza, is a realistic war movie that appears to capitalize off of A24’s recent success with “Civil War.” It is a cinematic representation of...

“Heretic” was released by A24 on Nov. 8, marking directors Scott Beck and Bryan Woods’ latest terrifying contribution to the horror scene following “A Quiet Place” and other lesser-known horror films. The film stars Hugh Grant as the endlessly captivating yet bone chilling Mr. Reed, Sophie Thatcher as Sister Barnes, and Chloe East as Sister Paxton. From start to finish, “Heretic” proves itself a gem amidst the slew of horror movies already released this year. While this year has heralded some truly great horror films, this film takes it a step further through its unique blend of horror, intrigue and questions it poses to the audience. “Heretic” takes place in one house and follows three characters, yet it never gets old. Whether through its extremely clever use of tension or the genuinely thought-provoking questions Mr. Reed forces you to ponder, “Heretic” remains a captivating film through and through.

“Anora” is part comedy, part drama and all heart. The runtime of nearly two-and-a-half hours flies by thanks to writer-director Sean Baker’s emotionally riveting and hilarious narrative. It follows Anora (Mikey Madison), a young Brooklyn sex worker of Russian descent whose Cinderella fairytale might actually be a nightmare. At work, Anora — who goes by Ani — is self-assured, leading men to the ATM to withdraw cash, or slowly inching closer to them the longer they talk. Vanya (Mark Eidelstein) is no Prince Charming. He’s the 21-year-old son of a Russian oligarch who shows up at a strip club looking for a lap dance, preferably from someone who speaks Russian.

“We Live In Time,” starring Andrew Garfield and Florence Pugh, uses nonlinear storytelling to portray the beautifully gut-wrenching relationship between Tobias Durand (Garfield) and Almut Brühl (Pugh) over the course of a decade. This deeply moving romance follows the lives of the couple as their relationship forms and is challenged by managing the concept of time and how fast it passes. 

“The Front Room” premiered in September 2024 from indie film studio A24. A24 has quickly risen to prominence in the film world, releasing hits like “Hereditary” and “Everything Everywhere All at Once.” Needless to say, “The Front Room” had big expectations that unfortunately, it didn’t live up to. “The Front Room” is a return to horror for Brandy Norwood, with her last horror role being Karla Wilson in “I Still Know What You Did Last Summer,” the commonly panned horror sequel to the cult classic “I Know What You Did Last Summer.” Norwood plays Belinda Irwin, a pregnant anthropology teacher and wife to public defender Norman Irwin (Andrew Burnap). “The Front Room” also stars Kathryn Hunter as the controlling step-mother-in-law, Solange. 

First year student hosts Logan Thompson and Ethan Kaufman share their thoughts on this week's top films at the Box Office.

First year student hosts Logan Thompson and Ethan Kaufman share their thoughts on the films premiering at the 2024 Cannes Film Festival and this week's top films at the Box Office.

In director Alex Garland’s raging, uneasy portrait of the United States’ near future in “Civil War,” the finite details of what issues people are fighting for are intentionally left unclear and unexplored.

Salvadoran performer Julio Torres came onto the American comedy scene with an act unlike most had seen. His deadpan delivery and quiet-as-a-mouse disposition juxtaposed perfectly with the eccentric subject...