May 16, 2021
Ithaca, NY | 67°F

Review: ‘Big Boat’ demonstrates stellar funk-rock improvisation

By | Nov 4, 2016

The album, released Oct. 7, encapsulates the group’s classic funk sound in a fresh way.


Review: Two Door Cinema Club revives disco with ‘Gameshow’

By | Oct 31, 2016

The Irish indie-rock band successfully introduces listeners to a new sound and creates a nostalgic atmosphere they won’t soon forget.


Review: Jimmy Eat World’s ‘Integrity Blues’ strays from roots

By | Oct 25, 2016

The band’s newest album, “Integrity Blues,” leans away from its emo-rock roots and distinguishes itself with a couple more experimental tunes.


Review: ‘Remember Us to Life’ accents Spektor’s vocal skills

By | Oct 17, 2016

Spektor’s method of manipulating the dynamics and moods of her songs, gives them a playful feel and demonstrates her technical musical prowess.


Review: One Republic’s ‘Oh My My’ offers thought-provoking lyrics

By | Oct 17, 2016

“Oh My My,” released Oct. 7, offers listeners a nicely balanced variety between moving power ballads and easy-listening dance tracks.


Review: Menzel’s vocals compensate for lost individuality

By | Oct 4, 2016

What Menzel may lack in songwriting ability, she makes up for with stunning vocals that remind us why listeners will never stop loving her.


Review: Passenger’s latest album delivers powerful lyricism

By | Oct 4, 2016

While the album is an enjoyable listen and delivers quality lyrics that Passenger is known for, it lacks musical diversity as a whole.


Review: Ron Howard’s ‘The Beatles: Eight Days a Week’ shines

By | Oct 4, 2016

Ron Howard’s documentary about the Beatles’ touring years expresses the wild energy and enthusiasm of John, Paul, George and Ringo.


Review: Mac Miller’s ‘The Divine Feminine’ lacks originality

By | Sep 26, 2016

In “The Divine Feminine,” Miller tries to show he has the chops to make more intricate tracks. He proves his talent by executing talented flow.


Review: Taking Back Sunday resurfaces with ‘Tidal Wave’ album

By | Sep 23, 2016

The Long Island rock band was formed in 1999 and has released seven full-length albums and two EPs since, proving to stand the test of time.


Review: Edward Snowden’s leak produces succinct film plot

By | Sep 21, 2016

The movie is indeed a one-sided telling…carried by the spectacular performance by Joseph Gordon-Levitt (Snowden) but hindered by other performances.


Review: Moose Blood’s raw vocals shine on ‘Stay Beautiful’

By | Sep 19, 2016

The group made waves with “Stay Beautiful,” a two-piece acoustic Spotify exclusive, released Sept. 8. Following the release of their second full-length album, “Blush,” “Stay Beautiful” is a coupling of two songs that successfully encompasses the two themes that are most prevalent in Moose Blood’s music: family and love. Their deeply personal lyrics translate beautifully into the stories told by the E.P.’s tracks, “Glow” and “Knuckles.”

The first track, “Glow,” opens up with slow, melodic guitar strumming, which sets a melancholy tone for the rest of the track. The instrumentals are followed by the lyrics, “I said goodbye today / I just watched you drive away / I just stood with mum and waved.” The combination of Eddy Brewerton’s raw vocals and the guitarist’s soft melodies add a heart-wrenching touch to the song. The lyrics provide insight to the difficulties of being separated from one’s father, while sweet melodies and instrumentals envelop the listener. Released as a single on Jun. 1, “Knuckles” is a true anthem to those who have experienced unrequited love. Opening up with the lyrics, “It wasn’t hard to fall for you / You had it all planned out, didn’t you,” the song offers an introspective look at love. The track builds on this knowledge, providing slow, low instrumentals to accompany it, adding to the emotion. It continues later with “That thing you said, stay beautiful / Even though that I know that it’s second hand,” providing more evidence of the heartache being felt by the artist while also referencing the name of the E.P., “Stay Beautiful.” During the last run through of those lines, there are moments of unaccompanied vocals where the listener is left with nothing between them and the music. It’s a period of reflection, for both the listener and the musician.