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Ithaca College files motion to dismiss Title IX case claiming anti-LGBTQ+ environment
Ithaca College to lower discount rate by 2028 as part of plan to decrease deficit
IC hires new athletic director
Ithaca College administration shares updates on enrollment and FY26 budget
David Muir '95 surprises Class of 2025 graduates at Commencement
Ithacan Tries: Ultimate Frisbee
NEA grant cancellations hit local arts spaces in Ithaca
Liberty League leaves baseball and softball on roller coaster of emotions
Ithaca College professor files Title IX lawsuit claiming anti-LGBTQ+ environment
Faculty Council elects new executive committee and discusses enrollment
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Review: Keys channels womanhood and social issues on ‘Here’
By
Jacqueline Borwick
, Staff Writer
•
November 13, 2016
“Here” is a tribute to womanhood, personal growth, familial relationships and the artist's affection for her hometown of New York City.
Review: Paper Route guides fans to ‘Real Emotion’
By
Lisa Laffend
, Contributing Writer
•
November 5, 2016
The band’s third album, and 16-track debut on Kemosabe Records, “Real Emotion” — out Sept. 23 — is Paper Route’s best offering yet.
Review: ‘Big Boat’ demonstrates stellar funk-rock improvisation
By
Sam Fuller
, Photo Editor
•
November 4, 2016
The album, released Oct. 7, encapsulates the group’s classic funk sound in a fresh way.
Review: Two Door Cinema Club revives disco with ‘Gameshow’
By
Colin Barrett
, Staff Writer
•
October 31, 2016
The Irish indie-rock band successfully introduces listeners to a new sound and creates a nostalgic atmosphere they won’t soon forget.
Review: Jimmy Eat World’s ‘Integrity Blues’ strays from roots
By
Silas White
, Staff Writer
•
October 25, 2016
The band’s newest album, “Integrity Blues,” leans away from its emo-rock roots and distinguishes itself with a couple more experimental tunes.
Review: ‘Remember Us to Life’ accents Spektor’s vocal skills
By
Olivia Riggio
, Staff Writer
•
October 17, 2016
Spektor’s method of manipulating the dynamics and moods of her songs, gives them a playful feel and demonstrates her technical musical prowess.
Review: One Republic’s ‘Oh My My’ offers thought-provoking lyrics
By
Ashley Wolf
, Staff Writer
•
October 17, 2016
“Oh My My,” released Oct. 7, offers listeners a nicely balanced variety between moving power ballads and easy-listening dance tracks.
Review: Menzel’s vocals compensate for lost individuality
By
Preston Arment
, Staff Writer
•
October 4, 2016
What Menzel may lack in songwriting ability, she makes up for with stunning vocals that remind us why listeners will never stop loving her.
Review: Passenger’s latest album delivers powerful lyricism
By
Casey Murphy
, Staff Writer
•
October 4, 2016
While the album is an enjoyable listen and delivers quality lyrics that Passenger is known for, it lacks musical diversity as a whole.
Review: Ron Howard’s ‘The Beatles: Eight Days a Week’ shines
By
Jake Leary
, Staff Writer
•
October 4, 2016
Ron Howard’s documentary about the Beatles’ touring years expresses the wild energy and enthusiasm of John, Paul, George and Ringo.
Review: Mac Miller’s ‘The Divine Feminine’ lacks originality
By
Colin Barrett
, Staff Writer
•
September 26, 2016
In “The Divine Feminine,” Miller tries to show he has the chops to make more intricate tracks. He proves his talent by executing talented flow.
Review: Taking Back Sunday resurfaces with ‘Tidal Wave’ album
By
Olivia Riggio
, Staff Writer
•
September 23, 2016
The Long Island rock band was formed in 1999 and has released seven full-length albums and two EPs since, proving to stand the test of time.
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