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Review: Paper Route guides fans to ‘Real Emotion’
By
Lisa Laffend
, Contributing Writer
•
November 5, 2016
The band’s third album, and 16-track debut on Kemosabe Records, “Real Emotion” — out Sept. 23 — is Paper Route’s best offering yet.
Review: ‘Big Boat’ demonstrates stellar funk-rock improvisation
By
Sam Fuller
, Photo Editor
•
November 4, 2016
The album, released Oct. 7, encapsulates the group’s classic funk sound in a fresh way.
Review: Two Door Cinema Club revives disco with ‘Gameshow’
By
Colin Barrett
, Staff Writer
•
October 31, 2016
The Irish indie-rock band successfully introduces listeners to a new sound and creates a nostalgic atmosphere they won’t soon forget.
Review: Jimmy Eat World’s ‘Integrity Blues’ strays from roots
By
Silas White
, Staff Writer
•
October 25, 2016
The band’s newest album, “Integrity Blues,” leans away from its emo-rock roots and distinguishes itself with a couple more experimental tunes.
Review: ‘Remember Us to Life’ accents Spektor’s vocal skills
By
Olivia Riggio
, Staff Writer
•
October 17, 2016
Spektor’s method of manipulating the dynamics and moods of her songs, gives them a playful feel and demonstrates her technical musical prowess.
Review: One Republic’s ‘Oh My My’ offers thought-provoking lyrics
By
Ashley Wolf
, Staff Writer
•
October 17, 2016
“Oh My My,” released Oct. 7, offers listeners a nicely balanced variety between moving power ballads and easy-listening dance tracks.
Review: Menzel’s vocals compensate for lost individuality
By
Preston Arment
, Staff Writer
•
October 4, 2016
What Menzel may lack in songwriting ability, she makes up for with stunning vocals that remind us why listeners will never stop loving her.
Review: Passenger’s latest album delivers powerful lyricism
By
Casey Murphy
, Staff Writer
•
October 4, 2016
While the album is an enjoyable listen and delivers quality lyrics that Passenger is known for, it lacks musical diversity as a whole.
Review: Ron Howard’s ‘The Beatles: Eight Days a Week’ shines
By
Jake Leary
, Staff Writer
•
October 4, 2016
Ron Howard’s documentary about the Beatles’ touring years expresses the wild energy and enthusiasm of John, Paul, George and Ringo.
Review: Mac Miller’s ‘The Divine Feminine’ lacks originality
By
Colin Barrett
, Staff Writer
•
September 26, 2016
In “The Divine Feminine,” Miller tries to show he has the chops to make more intricate tracks. He proves his talent by executing talented flow.
Review: Taking Back Sunday resurfaces with ‘Tidal Wave’ album
By
Olivia Riggio
, Staff Writer
•
September 23, 2016
The Long Island rock band was formed in 1999 and has released seven full-length albums and two EPs since, proving to stand the test of time.
Review: Edward Snowden’s leak produces succinct film plot
By
Max Denning
, Staff Writer
•
September 21, 2016
The movie is indeed a one-sided telling...carried by the spectacular performance by Joseph Gordon-Levitt (Snowden) but hindered by other performances.
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