It is hard to understate how difficult it is to create a movie in which Keanu Reeves and Seth Rogen share screen time and manage to sound exactly the same. Through some uninspired choices in the writing and directorial departments from Aziz Ansari, “Good Fortune” unfurled its angelic wings Oct. 17, only to find they were too small to handle the weight of its own expectations.

Whitewashing AAPI roles erases the existence of AAPI in the media and continues to be an ongoing issue with Hollywood’s major motion picture films.