Students perform “Violet,” a musical about acceptance
Violet Karl, on a journey about pain and healing, sings that she wishes to look like anyone but herself.
Violet Karl, on a journey about pain and healing, sings that she wishes to look like anyone but herself.
Though a musical seems grandiose and monumental under the pageantry of performance and bright stage lights, every production begins with just an idea.
On Feb. 2, Wheels for Women performed in Clark Theatre for its 8th Annual Benefit Cabaret.
“We don’t have to erase aspects of who we are, but rather are given an opportunity for our identities to bloom and flourish in the rehearsals.”
Guest Stage Director Eric Pearson said the “Cendrillon” opera has undertones that shatter the stigma of the definition of “nuclear family.”
While the play takes place in the ’80s, Wilde said the themes and characters within “Angels in America” are still as relevant as ever.
Gandhi plays multiple roles in “Muthaland,” including that of her assaulter, differentiating between characters by using changes in mannerisms.
“The Rover” is the final main stage production from the Ithaca College theater department for the 2016–17 season.
To change up the opera classic, stage director Jennifer Williams, said she decided to restage the opera in what she calls an alternative present.
Managing Editor Mary Ford spoke with Katheen Mulligan, associate professor of voice and speech, to discuss her involvement in Wheels 4 Women.
At 7:30 p.m. on Jan. 26, Storyboard P will perform in the Clark Theatre in the Dillingham Center as the keynote performer for MLK week.
On Dec. 1, the Dillingham Center will present “Winter Bodies,” a ballet dance concert choreographed by professors in the department, until Dec. 4.