Hosts Rachael Weinberg and Diego Medina review the new release “Joker” and compare it to the 1982 Martin Scorsese film “The King of Comedy.”
Six years ago, “Breaking Bad” creator Vince Gilligan left his viewers with an explosive conclusion to one of the best television series ever created.
The early 20th–century world of surrealism and scandal, backwoods Spanish villages and the bohemian Parisian art world are vividly illustrated in “Buñuel in the Labyrinth of the Turtles.” Directed by Salvador Simo, the animated biopic’s subject is Luis Buñuel, one of the most famous Spanish directors of the 20th century and a pioneer of surrealism and satire in film.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.
Disney’s live-action remakes have hit a rocky point as they adapt one of its more unusual characters in “Dumbo.” Directed by Tim Burton, “Dumbo” seeks to recreate the 1941 animated classic on a larger scale, and it succeeds occasionally, but not enough to distract from its lack of pizazz.