The Ithacan

“Her Smell,” an indie drama from writer and director Alex Ross Perry, is painfully slow in spite of the pure chaos it depicts.

“Missing Link” is a visually spectacular stop-motion film about friendship and finding one’s place in the world.

“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.

Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.

With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.

“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.

If an ominous phantom tells you not to mess with the barrier between life and death, you’d think you should listen to him.

Disney’s live-action remakes have hit a rocky point as they adapt one of its more unusual characters in “Dumbo.” Directed by Tim Burton, “Dumbo” seeks to recreate the 1941 animated classic on a larger scale, and it succeeds occasionally, but not enough to distract from its lack of pizazz.

“Us” is at once familiar and foreign — it’s a traditional slasher turned and twisted into something radical and bizarre.  

The latest brand of young adult romance seems to revel in the bittersweet tragedy of chronically ill teens falling passionately in love.

The strongest character in the Marvel Cinematic Universe (MCU) has finally been introduced in the 21st film of the franchise, and her first outing has left a lasting impact.  

“Triple Frontier” is shaped by three things — a cataclysmic heist feat, bitter ex-soldiers and the blurry setting in which director J.C.