The early 20th–century world of surrealism and scandal, backwoods Spanish villages and the bohemian Parisian art world are vividly illustrated in “Buñuel in the Labyrinth of the Turtles.” Directed by Salvador Simo, the animated biopic’s subject is Luis Buñuel, one of the most famous Spanish directors of the 20th century and a pioneer of surrealism and satire in film.
A group of women charged into Walmart on a mission: raid the tampons, pads and chocolate aisles.
Hold on to your hats, everybody; you’re going to see a word I have literally seen people cringe at: “homeless.”
Our society has created a strong negative stigma around those experiencing homelessness and often enforces systemic obstacles to make sure that certain communities of people are stripped of their rights to a home.
Rows of photos load onto the screen, each showing someone wearing a different article of clothing.
On a dreary Sunday afternoon, approximately 3,400 brightly colored rubber ducks tumbled over Cascadilla Falls, racing to reach the end of their long journey along Cascadilla Creek.
“Her Smell,” an indie drama from writer and director Alex Ross Perry, is painfully slow in spite of the pure chaos it depicts.
Cage the Elephant’s “Social Cues,” the American rock band’s fifth studio album, might appeal to its veteran fans, whose die-hard attitude toward the group will keep them listening if only out of loyalty.
Seven men run around a deserted, pastel city, dressed to the nines in the brightest colored clothes they have.
As students shuffle into room 302 in Friends Hall, Powerpoint slides referencing the “hiragana,” or Japanese writing, of the week are screened on to the projector.
“Missing Link” is a visually spectacular stop-motion film about friendship and finding one’s place in the world.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
