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Accuracy • Independence • Integrity

August 20, 2019   |   Ithaca, NY

Activist Gloria Joseph to visit IC and discuss poet Audre Lorde

By | Sep 21, 2016

Ithaca College’s Women and Gender Studies Program will host Gloria Joseph, professor emerita of Africana Studies at Hampshire College and partner of the late Audre Lorde, to discuss the poet’s life.

Review: Moose Blood’s raw vocals shine on ‘Stay Beautiful’

By | Sep 19, 2016

The group made waves with “Stay Beautiful,” a two-piece acoustic Spotify exclusive, released Sept. 8. Following the release of their second full-length album, “Blush,” “Stay Beautiful” is a coupling of two songs that successfully encompasses the two themes that are most prevalent in Moose Blood’s music: family and love. Their deeply personal lyrics translate beautifully into the stories told by the E.P.’s tracks, “Glow” and “Knuckles.”

The first track, “Glow,” opens up with slow, melodic guitar strumming, which sets a melancholy tone for the rest of the track. The instrumentals are followed by the lyrics, “I said goodbye today / I just watched you drive away / I just stood with mum and waved.” The combination of Eddy Brewerton’s raw vocals and the guitarist’s soft melodies add a heart-wrenching touch to the song. The lyrics provide insight to the difficulties of being separated from one’s father, while sweet melodies and instrumentals envelop the listener. Released as a single on Jun. 1, “Knuckles” is a true anthem to those who have experienced unrequited love. Opening up with the lyrics, “It wasn’t hard to fall for you / You had it all planned out, didn’t you,” the song offers an introspective look at love. The track builds on this knowledge, providing slow, low instrumentals to accompany it, adding to the emotion. It continues later with “That thing you said, stay beautiful / Even though that I know that it’s second hand,” providing more evidence of the heartache being felt by the artist while also referencing the name of the E.P., “Stay Beautiful.” During the last run through of those lines, there are moments of unaccompanied vocals where the listener is left with nothing between them and the music. It’s a period of reflection, for both the listener and the musician.

Review: ‘Southside With You’ viewers follow a budding romance

By | Sep 19, 2016

Viewers meet Michelle Robinson (Tika Sumpter) as she gets ready in her mother’s home for what she calls a “business meeting.” Her mother teases her, saying, “I thought this wasn’t a date?” To Robinson, it wasn’t — until she met the ever-so-charming Barack Obama (Parker Sawyers). Obama and Robinson visit countless places on their date, such as an Afro-Culture museum exhibit, a church meeting and a theater to see the film “Do the Right Thing.”

Review: A Day To Remember’s ‘Bad Vibrations’ misses the mark

By | Sep 17, 2016

This album jumps right into its harsh sound with title track “Bad Vibrations.” While old fans will recognize the dark, emo sound and possible nostalgic themes of early 2000s punk, other listeners will skip over this song. Under lead singer Jeremy McKinnon’s screaming vocals, a loud guitar riff follows an overdone beat, producing nothing more than a blaring tune.

Review: Wilco’s tenth album wins over new and old listeners

By | Sep 17, 2016

This album exemplifies a complete return to the band’s traditional form as they it comes back to their its folk roots. “Star Wars” was more of an psych-indie rock album, while this album is shaped with softer midwestern tones. Tracks like “Common Sense” invoke a hypnotic beat and sense of confusion, while others, like “Nope,” have a more cool and collected rock tone.

Review: DeGraw samples all genres in ‘Something Worth Saving’

By | Sep 15, 2016

DeGraw presents a sound similar to his previous song, “I Don’t Want To Be,” in his new song, “You Make My Heart Sing Louder,” from his new album. The singer-songwriter captivates his fans by returning to his original sound for this steady, medium-tempo piece. Another new song from the album that takes fans back to his 2003 sound is “Kite Like Girl.” This upbeat, instrumental song encompasses DeGraw’s classic sound but has a pop twist.

IC alumni, students and faculty will perform in “Candide” Sept. 16–18

By | Sep 14, 2016

Originally penned as a novella in 18th-century France, “Candide” has stood the test of time again and again. Now, the theatrical version will be performed in Ithaca with Ithaca College students, alumni and staff at center stage.

IC’s Visiting Writers Series Workshop welcomes poet Ada Limon

By | Sep 14, 2016

The Distinguished Visiting Writer Workshop is a one-credit course at the college that allows students to attend readings by three distinguished authors: one poet, one nonfiction writer, which will be Kiese Laymon and one fiction writer, which will be Dana Spiotta. Students also get the opportunity to study under and conference individually with one writer in the area of their choosing. For example, students interested in poetry will submit poem samples and conference with Limón. Each author also teaches two 90-minute classes throughout the semester that all students attend regardless of their concentration. Limón is the author of four books of poetry, including “Bright Dead Things,” which was a finalist for the 2015 National Book Award in Poetry, a finalist for the 2015 National Book Critics Circle Award and one of the Top Ten Poetry Books of the Year, according to The New York Times. Her work explores issues of identity, relationships and language from both personal and worldly perspectives.

Review: The Head and the Heart tugs at listener’s heartstrings

By | Sep 14, 2016

All artists experiment with their sound, and The Head and the Heart is no exception. Though many fans might be disillusioned by the band’s newfound dance-pop sound, the album is well-produced and full of catchy songs. The 13-track LP contains some gems, and despite some breaches in originality, it is energetic and easy to listen to.

Review: Frank Ocean’s visual album ‘Endless’ addresses his fame

By | Sep 14, 2016

Ocean’s 45-minute film gives viewers more than expected. With a combination of mesmerizing lyrics and several look-alikes, he presents himself as prodigal and self-aware. Under the limelight, it’s difficult for artists to remain down-to-earth.

Review: Netflix original ‘Stranger Things’ mirrors ’80s tropes

By | Sep 12, 2016

A vile monster. A lovable band of children. A grand conspiracy. A soundtrack worthy of John Carpenter. This is Netflix’s “Stranger Things”: the ’80s homage that still dominates conversation nearly two months after its release.

Review: ‘Don’t Breathe’ defies typical horror films

By | Sep 10, 2016

“Don’t Breathe” is more grounded in its script and its direction — it doesn’t rely on typical jump scares, but it builds tension throughout.