The typically quiet hallways in the third floor of the Peggy Ryan Williams Center at Ithaca College became crowded and noisy Feb.
“Metro Exodus,” a first-person shooter by 4A Games, is a deep, intoxicating inhale of contaminated air that has players fastening their gas masks and jumping straight into a world where survival is not guaranteed.
Deep, angelic and beautiful are the most accurate descriptions for Dream Theater’s new album, “Distance Over Time.” The progressive metal group has returned with a more simple and practical approach compared to its previous album, “The Astonishing.”
Following the release of “The Astonishing,” Dream Theater, also known as DT, received mixed feelings from fans.
The written thoughts of a psychopath over bizarre keyboard melodies may not be the average person’s idea of music, but the Insane Clown Posse is far from average, as it unquestionably demonstrates in its newest album, “Fearless Fred Fury.”
The eccentric rap duo, often referred to as “ICP,” does not disappoint in making its newest album completely freakish and downright horrifying.
Avril Lavigne’s voice finally broke through the silence she has left her fans in for years with her new album, “Head Above Water,” released Feb.
After Oakland-based punk-rock group SWMRS signed with New York City–based record label Fueled By Ramen and released its record label debut and overall third LP, “Drive North,” the band has returned to the punk scene with its follow-up, “Berkeley’s On Fire.”
The band itself initially got attention because of its drummer, Joey Armstrong — Green Day frontman Billie Joe Armstrong’s son — but “Berkeley’s On Fire” combines eccentric tracks that blend together a multitude of punk, alt-rock and surf-rock elements, giving the band a separate, personal identity.