The Seattle-based feminist pop-rock quartet revels in its ’90s-punk, Riot grrrl stylings, enthusiastically wearing its old-school influences on its sleeves. This is ultimately what makes “Lost Time,” the group’s third album, as enjoyable as it is.
Zayn has done a complete 180 on his first studio album as a solo artist. The album isn’t filled with cheesy love songs, but rather with songs that are more soulful and emotional.
“Beautiful Lies” is a 14-track album that tests Birdy’s vocal ability more than anything else in her music career thus far.
After an almost 10-year break, American singer and songwriter Gwen Stefani released her third solo album, “This Is What the Truth Feels Like,” on March 18.
3 Door’s Down’s signature 2000s rock-band style is unmistakable on its previous albums, and “Us and the Night” is no exception.
Lamar is one of the few artists in the music industry who truly captures the raw emotions and difficulties of living in a system of oppression.
Much of the album sizzles with a popping energy courtesy of Garratt’s piercing falsetto and an inclination toward a style that’s constantly changing.
Nelson’s voice doesn’t quite have the same energy as it did when he was younger, but it’s sure to please any fan of his, whether they are fans of country or just fans of the American songbook.
From start to finish, “I Like It When You Sleep” is strikingly different from the debut album, but The 1975 lets longtime fans know it’s still the same group from before through pretentious lyrics and beautiful compositions.
Lean’s third studio album, “Warlord,” is no exception. Released Feb. 25, “Warlord” is both an expected and refreshing mix of Lean’s signature, heavily synthesized sound. Throughout the album, Lean’s, monotone voice dominates each track, making the entire thing hard to listen to all at once.
This album is interesting on its own but is disappointing when compared to the band’s previous catalog. Many might find this album enjoyable, and it is at times, but longtime fans could find themselves regretfully wanting to listen to Animal Collective’s other albums instead.
Smoove Jones” is an expression of the singer’s passion for music through her lyrics. It is evident that this project was a labor of love for Mýa as it was independently made and self-funded, which demonstrates her profound effort and commitment to this craft.
