Review: PSY’s latest album fails to meet expectations
The tracks fall flat as a cohesive album. Each track sounded like a parody of the last with either ’70s-inspired elements or synth-heavy beats, making only a few of them stand out.
The tracks fall flat as a cohesive album. Each track sounded like a parody of the last with either ’70s-inspired elements or synth-heavy beats, making only a few of them stand out.
Full of gorgeous vocals, the singer shows off her raw and honest lyrics that fans have missed, sweeping listeners away with her soulful and explosive tracks in “25.”
If The Vamps have not been on the radar of boy bands to watch, “Wake Up” is sure to alert music enthusiasts to the band’s presence.
The final installment of the series is the weaker half of a movie who shouldn’t have been divided in the first place.
While the album does deliver on the promised soul sound, “Heart Blanche” lacks focus when it comes to songwriting.
In “Purpose,” it is clear that Bieber is “sorry” for what he has done in the past. He is surely ready to redeem himself.
British girl band Little Mix has yet to find their individual style and lack originality.
20th Century Fox presents “The Peanuts Movie,” a light but largely derivative film that adds little to Peanuts’ lore other than an animation update.
If every track on Ellie Goulding’s latest release “Delirium” was as atmospheric, groovy or energetic as the album’s first five minutes, it would have been great. But…
“I Changed A Lot” sees Khaled employing a plethora of guests to create an album that is solid stylistically but severely lacking lyrical complexity.
“Wiped Out!” has an indistinct, breezy style underpinned by the band’s characteristic angst and deviating from the grittier feel of the rest of its discography.
“Liberman” highlights Carlton’s progression as a singer-songwriter: no longer conventional, no longer dismal.