Review: DC offers a gritty look at the Clown Prince of Crime
In 2008, Christopher Nolan’s “The Dark Knight” changed the comic book movie genre forever.
In 2008, Christopher Nolan’s “The Dark Knight” changed the comic book movie genre forever.
“Her Smell,” an indie drama from writer and director Alex Ross Perry, is painfully slow in spite of the pure chaos it depicts.
“Missing Link” is a visually spectacular stop-motion film about friendship and finding one’s place in the world.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.
“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.
If an ominous phantom tells you not to mess with the barrier between life and death, you’d think you should listen to him.
“Us” is at once familiar and foreign — it’s a traditional slasher turned and twisted into something radical and bizarre.
DreamWorks Animation is infamous for cranking out sequel after sequel.
Video:
Audio:
On this week’s “Deja View” Jake Leary brings in Colin Tessier and Liam Conway to talk about “Overlord.” The World War II zombie movie disappoints Jake and leaves Colin and Liam lost for words.
Video:
Audio:
On this week’s episode of “Deja View,” host Jake Leary sits down with staff writer Liza Gillespie and Ithaca College screenwriting student Sean Murphy to complain about “The Chilling Adventures of Sabrina.” Much to the trio’s disappointment, Netflix’s take on the teenage witch doesn’t capture the magic of the character.