‘Deja View’- “The Irishman” vs. “Goodfellas”
In the first episode of 2020, co-hosts Rachael Weinberg and Diego Medina compare Martin Scorsese’s The Irishman to his 1990 film Goodfellas.
In the first episode of 2020, co-hosts Rachael Weinberg and Diego Medina compare Martin Scorsese’s The Irishman to his 1990 film Goodfellas.
Set during World War I, “1917” is a grand-scaled epic directed and co–written by Sam Mendes.
Hosts Rachael Weinberg and Diego Medina return from the dead to review Zombieland: Double Tap and compare it with Dawn of the Dead.
Does anyone actually read the terms and conditions before agreeing to them?
In 2008, Christopher Nolan’s “The Dark Knight” changed the comic book movie genre forever.
“Her Smell,” an indie drama from writer and director Alex Ross Perry, is painfully slow in spite of the pure chaos it depicts.
“Missing Link” is a visually spectacular stop-motion film about friendship and finding one’s place in the world.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.
“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.
If an ominous phantom tells you not to mess with the barrier between life and death, you’d think you should listen to him.