While “The Perfect Guy” may make some think twice about beginning a relationship with a complete stranger, this film will leave many appalled at what can only be described as a jumbled mess that should never have been made in the first place
“Everest” had the tools to be a great film, boasting decent acting and interesting cinematography, but it fails in nearly every aspect to connect these pieces together.
“Learning to Drive” was meant to glorify the beautiful simplicity of a personal bond, but fails to do so because it is unable to maintain interest.
“Grandma” is an interesting portrait piece, but it falls short of its full storytelling potential.
“Maze Runner: The Scorch Trials” is so over complicated and scattered that it’s hard to find satisfaction watching it.
“The Transporter Refueled” will leave viewers disappointed with the execution of what could have been a well-made thriller.
“Mistress America” is atypical but still accessible, humorous but still serious and absolutely a must-see.
Both diehard N.W.A. fans and general audience members will greatly appreciate the direction Gray chose to tell the group’s inspiring story — one that reveals the history of music’s greatest legends and how far they went to speak the truth.
“The End of the Tour” provides viewers with an insight into one of the most realized, troubled and intelligent literary minds of the 20th century.
“We Are Your Friends” is a complete mess of plot, character and structure that directorial style could not mask.
“The Man from U.N.C.L.E.” takes an interesting premise with enjoyable characters who have fun with all of the scenarios into which they can find themselves thrown.
“Me and Earl and the Dying Girl” offers a new perspective on what it means to live life to the fullest.
