The Ithacan

The new Netflix film “High Flying Bird,” which was shot completely on an iPhone, delves deep into the relationship between sports and the politics of the United States’ capitalist society.

What happens when a cold-blooded serial killer reincarnates into a newborn baby’s body?

Every month, a slew of sci-fi thrillers, rom-coms and documentaries dribble out on Netflix — most with little or no fanfare.

Kevin Hart’s comedic skills and chemistry with Bryan Cranston creates a feel-good, laugh-out-loud drama that focuses on an unlikely friendship between two very different people.

Based on the short story “Gräns” by ‎John Ajvide Lindqvist, “Border” has all the unrestrained pretension of Oscar bait: a sluggish pace, an inscrutable fantasy element and a relentless melancholy.

Though there’s nothing wrong with a plot twist or cliffhanger, the film ends in such a way that the viewer is left with nothing more than confusion.

Netflix’s “The Little Prince,” based on the classic work of Antoine de Saint-Exupéry, delivers such a rich range of emotion, moral and visual complexity. This complexity is evident in “Prince” — each chapter of the Prince’s quest, from his home on the minuscule Asteroid B-612 to the vast expanse of the Sahara Desert, is rendered in stop-motion.

With deep characters and a nostalgic plot, “The Force Awakens” pays respect to the previous “Star Wars” films and creates intrigue about the future of the “Star Wars” franchise, but it plays it a bit safe.

If one is looking for a movie that lives up to the joyous sounding title, prepare for an entirely opposite and disappointing experience.

The final installment of the series is the weaker half of a movie who shouldn’t have been divided in the first place.

Ithacapella is set to release a new film in May based off their recent album Stages.

“A Girl Walks Home Alone At Night,” Ana Lily Amirpour’s directorial debut, puts a stunning spin on the typical story of star-crossed lovers.