Review: Cannibal romance leaves viewers with a full stomach
Luca Guadagnino has once again directed a treat of a film that finds beauty in unconventional places.
Luca Guadagnino has once again directed a treat of a film that finds beauty in unconventional places.
The parallels between American life in the 1980s and James Gray’s early childhood help to paint a profound portrait of life in “Armageddon Time.”
Park Chan-wook returns with “Decision to Leave,” a masterfully crafted film that finds where the impassioned love story meets the detective crime thriller.
After a 16-year hiatus from directing, Todd Field returns with his latest film. As a careful character study, “Tár” succeeds with flying colors.
One of the only highlights of “Black Adam,” a comic book movie buried in tropes, is the moral question it poses about what it means to be a hero.
A stronger female lead and an overall well-rounded narrative allow this sequel to the first “Terrifier” film to heighten the tension.
Academy Award-winner Peter Farrelly, mostly known for “Green Book,” imbues his latest film with the same sappy plotting and screenplay.
With a premise as silly as a woman being haunted by people smiling, writer and director Parker Finn delivers a strong horror film dealing with trauma.
While “See How They Run” makes fun of murder mystery tropes, resulting in many laughs, the film unfortunately plays into those same tropes.
Kevin Smith, who has been making films for nearly three decades, returns to his beloved “Clerks” franchise with a messy third installment.
The historical-fiction film, “The Woman King,” refuses to sacrifice anything in the pursuit of cinematic perfection.
In the thrillingly unpredictable new horror movie “Barbarian,” two strangers find themselves stuck in a house full of secrets together.