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Pop Off! – "Harry Potter" Movies
Prakriti Panwar named next editor in chief of The Ithacan
We Are Moving The Needle amplifies a safe space for overlooked audio engineers
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Women's lacrosse sneaks past Yellowjackets
Deja View – The Future
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David Ames films: from inspiration to the big screen
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Review: ‘Hidden Figures’ flawlessly navigates societal issues
By
Colin Barrett
, Staff Writer
•
February 22, 2017
"Hidden Figures" balance the intensity of segregation with humor from the three lead actresses to create an accessible piece of social commentary.
Review: Mel Gibson revives his career with ‘Hacksaw Ridge’
By
Aidan Lentz
, Staff Writer
•
February 22, 2017
This may just be the movie that Gibson was born to direct. The simple yet inspiring moral tale is a perfect fit for the director of “Braveheart.”
Review: ‘Manchester by the Sea’ drowns viewers in despair
By
Patrick Pinney
, Contributing Writer
•
February 21, 2017
Death is final and guilt can be eternal. This crushing honesty elevates “Manchester by the Sea” above and beyond 2016’s other cinematic offerings.
Review: Washington directs a home run with his latest film
By
Colette Piasecki-Masters
, Staff Writer
•
February 21, 2017
The viewer watches "Fences" with mingled horror and pity as Troy (Denzel Washington) destroys his relationship with his son and, eventually, wife.
Review: Rural backdrop steals the show in bank heist thriller
By
Aidan Lentz
, Contributing Writer
•
February 21, 2017
The dialogue in "Hell or High Water" is fantastic throughout — It paints portraits of deeply flawed yet compelling characters who feel all too real.
Review: Villeneuve translates Sci-fi story to the big screen
By
Colin Barrett
, Staff Writer
•
February 21, 2017
Most science-fiction blockbusters resort to brainless plots and mass destruction with no consequences, but “Arrival” is not the typical sci-fi film.
Review: Barry Jenkins’ ‘Moonlight’ shines bright in the dark
By
Colin Barrett
, Staff Writer
•
February 12, 2017
“Moonlight” is not only important for the black and lesbian, gay, bisexual, transgender, and queer communities, but for everyone.
Review: Chazelle’s ‘La La Land’ sings the same old tune
By
Mary Ford
, Managing Editor
•
January 20, 2017
Hollywood may like "La La Land," but it doesn’t need it, not nearly as much as it needs new voices, new faces, new stories and new talent.
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