Review: Death Valley Girls album takes a spiritual journey
“Islands in the Sky” is a culmination of the psychedelic doom boogie sound that Death Valley Girls has been developing since their debut album in 2014.
“Islands in the Sky” is a culmination of the psychedelic doom boogie sound that Death Valley Girls has been developing since their debut album in 2014.
“The Last of Us” does exactly what every video game adaptation should do: capture the heart and essence of the story.
In “Endless Summer Vacation,” a self-assured Miley Cyrus provides listeners with 43 minutes of pure escapism.
After the 2022 “Scream” movie revitalized the franchise for a new generation of slasher fans, it’s sad to say that “Scream VI” takes a step backward.
“College Park” feels like an autobiographical take on rapper Logic’s life, revealing great detail through narration and compelling lyrics.
Although the events of director Frances O’Connor’s “Emily” are somewhat fictional, the film gives Emily Brönte a second life.
“Cracker Island” is the most personal a Gorillaz album has ever felt, taking a more laid-back approach to its sound.
“Cocaine Bear” embraces its absurdity, actively giving its audience what it came for: a 500-pound bear getting high on cocaine.
“Desire, I Want to Turn Into You” is a convincing title: Polachek seems to be so obsessed with desire itself that she wants to become an emotion.
It has never been more clear than with “Ant-Man and the Wasp: Quantumania” that Marvel Studios has sacrificed quality for quantity.
“Quest for Fire” marks a solid return for Skrillex, although it begs the question: was anyone really asking for more Skrillex in 2023?
“Norm” sees Andy Shauf return to another fascinating concept album in one of his most ambitious undertakings to date.