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Review: Period drama gives stunning portrait of Emily Brönte
By
Lily Lipka
, Staff Writer
•
March 21, 2023
Although the events of director Frances O’Connor’s "Emily" are somewhat fictional, the film gives Emily Brönte a second life.
Review: Gorillaz sets off in a new direction on vibey record
By
Andrew Tell
, Staff Writer
•
March 8, 2023
"Cracker Island" is the most personal a Gorillaz album has ever felt, taking a more laid-back approach to its sound.
Review: Action comedy gives viewers a real high
By
Evan Miller
, Staff Writer
•
March 7, 2023
"Cocaine Bear" embraces its absurdity, actively giving its audience what it came for: a 500-pound bear getting high on cocaine.
Review: Caroline Polachek visualizes desire on new record
By
Jess Williams
, Staff Writer
•
March 7, 2023
“Desire, I Want to Turn Into You” is a convincing title: Polachek seems to be so obsessed with desire itself that she wants to become an emotion.
Review: Third ‘Ant-Man’ film shrinks its potential
By
Evan Miller
, Staff Writer
•
March 1, 2023
It has never been more clear than with “Ant-Man and the Wasp: Quantumania” that Marvel Studios has sacrificed quality for quantity.
Review: New Skrillex album is fun but overstays its welcome
By
Andrew Tell
, Staff Writer
•
March 1, 2023
"Quest for Fire" marks a solid return for Skrillex, although it begs the question: was anyone really asking for more Skrillex in 2023?
Review: Andy Shauf is back with ambitious concept album
By
Lily Lipka
, Staff Writer
•
February 27, 2023
"Norm" sees Andy Shauf return to another fascinating concept album in one of his most ambitious undertakings to date.
Review: Pierce the Veil is late to the punch once again
By
Andrew Tell
, Staff Writer
•
February 23, 2023
"The Jaws of Life" is a sad reminder that Pierce the Veil is still riding the coattails of a genre that has expired past its prime.
Review: More movies with this affection would be nice
By
Mila Ventura Rodriguez
, Contributing Writer
•
February 23, 2023
"Magic Mike's Last Dance" is meant to be a meta-critique of the “Magic Mike” series, with stronger written female characters.
Review: Tale of lost donkey brings empathy and compassion
By
Patrick Mazzella
, Staff Writer
•
February 22, 2023
"EO," this year’s Polish Academy Award selection, beautifully succeeds at getting the audience to empathize with a donkey simply through his eyes.
Review: Paramore is back and better than ever
By
Jadyn Davis
, Staff Writer
•
February 21, 2023
Longtime fans of Paramore who have grown up listening to their music now have "This Is Why," an album that shows the band's maturity over the years.
Review: Shania Twain’s new album isn’t queen of much
By
Andrew Tell
, Contributing Writer
•
February 16, 2023
Shania Twain's new album "Queen of Me" falls under the umbrella of uninspired, bland and generic country music.
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