The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser” is exactly what its title alludes to: It’s a messy celebration of self-destruction.
“The Ship” is an engrossing and challenging release from Eno, who has rendered, in just over 47 minutes, what sounds like an audio dream sequence. Richly nuanced, “The Ship” is as quiet as it is grand and cinematic and as fulfilling as it is odd.
With the release of his sophomore attempt, “Always Strive and Prosper,” the self-proclaimed lord of trap music, A$AP Ferg, shows off a more lighthearted and honest side to his music.
The Belgian band’s fourth album, “What You Need,” boasts a varied and exciting electronic sound that is only pulled down by ill–thought-out vocals.
As a whole, the album has several ups and downs, but the wild genre shifts actually work in the group’s favor. The full album may not be as popular as “7 Years” has become, but it does have other tracks worthy of attention.
Even if every listener hasn’t experienced the trifecta of feelings The Lumineers portray in this album, the band paints such a vivid picture through the imagery in its lyrics that anyone can relate.
Weezer has definitely made some changes to its sound but surely did not disappoint. Although summer is not yet here, listeners may be fooled as they kick back and give the album a listen.
The Seattle-based feminist pop-rock quartet revels in its ’90s-punk, Riot grrrl stylings, enthusiastically wearing its old-school influences on its sleeves. This is ultimately what makes “Lost Time,” the group’s third album, as enjoyable as it is.
Zayn has done a complete 180 on his first studio album as a solo artist. The album isn’t filled with cheesy love songs, but rather with songs that are more soulful and emotional.