Review: Game turned Film has some potential
While “Uncharted” doesn’t fulfill the expectations of longtime fans, it’s a step in the right direction for video game films.
While “Uncharted” doesn’t fulfill the expectations of longtime fans, it’s a step in the right direction for video game films.
“Laurel Hell” acts as Mitski’s bittersweet farewell to the burden of her success.
“It’s Not So Bad” struggles to define Kyle’s style, resulting in an inconsistent and lackluster new record.
Jenna Ortega and Maddie Ziegler both give captivating performances which make up the most influential portions of the film.
In “on to better things,” Iann Dior opens up with personal lyrics on heartbreak, anxiety and intrusive thoughts.
While The Killers new album is perfectly politically-charged, there is too much context into the personal life of lead vocalist Brandon Flowers.
Former President George W. Bush’s new book of paintings, “Out of Many, One,” contains awful art made by an even more awful person.
Chloé Zhao’s “Nomadland” is a slow slog through the desert with actor Frances McDormand. The use of a Hollywood name like McDormand makes the film feel less authentic than Zhao’s other works.
“To All the Boys: Always and Forever,” the final film in the “To All the Boys” trilogy, picks up where its predecessors left off.
In 1968, FBI director J. Edgar Hoover exclaimed that the FBI would do anything in its power to “prevent the rise of a ‘messiah’ who could unify and electrify the militant Black nationalist movement.”
“L’ultimo paradiso” is a melodramatic Italian film that lets intrigue take full control over the narrative with little semblance of realism.
“Medicine at Midnight” is for the most part just like every prior Foo Fighters album, but there is still some fun to be had.