The Ithacan

Every month, a slew of sci-fi thrillers, rom-coms and documentaries dribble out on Netflix — most with little or no fanfare.

“The Predator” is another forgettable sequel to a franchise that has never come close to the excitement of the original.

“Altered Carbon” tries to cram too much plot into too few episodes, trading stable storylines for pointless, plodding tangents.

Dabbling in several genres without committing to any of them, “The Cloverfield Paradox” feels incomplete, cobbled together and woefully unsatisfying.

Science Fiction” completes Brand New’s incredible discography. It is a poignant farewell from one of the best bands of the 2000s.

This week on Deja View, reviews editor Jake Leary sat down with staff writer Charlie Musante about “Blade Runner 2049” and decides whether Denis Villeneuve’s “Blade Runner” sequel lives up to the original’s legacy.

“The Circle” is another in a long line of science fiction films that recklessly damns innovation without acknowledging the necessity of advancement.

Though there’s nothing wrong with a plot twist or cliffhanger, the film ends in such a way that the viewer is left with nothing more than confusion.

Everyone looks to find their own path — but you’re also the product of where you come from.

The release of “Ghost in the Shell” has sparked much discussion within the film community.

Most science-fiction blockbusters resort to brainless plots and mass destruction with no consequences, but “Arrival” is not the typical sci-fi film.

John Fracchia and Kerry Forrestal drew inspiration from their shared love of science-fiction and co-wrote “Cataclysm: The Myst Clipper Shicaine,” a science-fiction novel released May 4.