The Ithacan

“Triple Frontier” is shaped by three things — a cataclysmic heist feat, bitter ex-soldiers and the blurry setting in which director J.C.

Concern should be placed, however, on how this will affect the stability of Central and South America.

After a long, sleepless overnight flight from Mexico City, Mexico, my plane’s wheels finally hit the dark tarmac of the Quito International Airport with a puff of smoke.