“The United States vs. Billie Holiday,” Hollywood’s latest conveyor-belt music biopic is an insulting depiction of one of the finest singers of the swing era.
By Chloe Wilson, Contributing Writer
• October 12, 2011
In one corner of the Fitness Center at Ithaca College, a girl is lifted high into the air. In another, a student falls, caught only inches from the floor. In the center of the room, a boy scuttles across the floor, supported by a partner.