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Accuracy • Independence • Integrity

November 17, 2017   |   Ithaca, NY

Review: Kings of Leon ‘WALLS’ succeeds with stunning sound

By | Oct 25, 2016

Most of this album shows off the band’s true potential since they returned to their roots and produced an album of substance and depth.

Review: ‘Remember Us to Life’ accents Spektor’s vocal skills

By | Oct 17, 2016

Spektor’s method of manipulating the dynamics and moods of her songs, gives them a playful feel and demonstrates her technical musical prowess.

Review: One Republic’s ‘Oh My My’ offers thought-provoking lyrics

By | Oct 17, 2016

“Oh My My,” released Oct. 7, offers listeners a nicely balanced variety between moving power ballads and easy-listening dance tracks.

Review: Mac Miller’s ‘The Divine Feminine’ lacks originality

By | Sep 26, 2016

In “The Divine Feminine,” Miller tries to show he has the chops to make more intricate tracks. He proves his talent by executing talented flow.

Review: Moose Blood’s raw vocals shine on ‘Stay Beautiful’

By | Sep 19, 2016

The group made waves with “Stay Beautiful,” a two-piece acoustic Spotify exclusive, released Sept. 8. Following the release of their second full-length album, “Blush,” “Stay Beautiful” is a coupling of two songs that successfully encompasses the two themes that are most prevalent in Moose Blood’s music: family and love. Their deeply personal lyrics translate beautifully into the stories told by the E.P.’s tracks, “Glow” and “Knuckles.”

The first track, “Glow,” opens up with slow, melodic guitar strumming, which sets a melancholy tone for the rest of the track. The instrumentals are followed by the lyrics, “I said goodbye today / I just watched you drive away / I just stood with mum and waved.” The combination of Eddy Brewerton’s raw vocals and the guitarist’s soft melodies add a heart-wrenching touch to the song. The lyrics provide insight to the difficulties of being separated from one’s father, while sweet melodies and instrumentals envelop the listener. Released as a single on Jun. 1, “Knuckles” is a true anthem to those who have experienced unrequited love. Opening up with the lyrics, “It wasn’t hard to fall for you / You had it all planned out, didn’t you,” the song offers an introspective look at love. The track builds on this knowledge, providing slow, low instrumentals to accompany it, adding to the emotion. It continues later with “That thing you said, stay beautiful / Even though that I know that it’s second hand,” providing more evidence of the heartache being felt by the artist while also referencing the name of the E.P., “Stay Beautiful.” During the last run through of those lines, there are moments of unaccompanied vocals where the listener is left with nothing between them and the music. It’s a period of reflection, for both the listener and the musician.

Review: ‘Southside With You’ viewers follow a budding romance

By | Sep 19, 2016

Viewers meet Michelle Robinson (Tika Sumpter) as she gets ready in her mother’s home for what she calls a “business meeting.” Her mother teases her, saying, “I thought this wasn’t a date?” To Robinson, it wasn’t — until she met the ever-so-charming Barack Obama (Parker Sawyers). Obama and Robinson visit countless places on their date, such as an Afro-Culture museum exhibit, a church meeting and a theater to see the film “Do the Right Thing.”

Review: A Day To Remember’s ‘Bad Vibrations’ misses the mark

By | Sep 17, 2016

This album jumps right into its harsh sound with title track “Bad Vibrations.” While old fans will recognize the dark, emo sound and possible nostalgic themes of early 2000s punk, other listeners will skip over this song. Under lead singer Jeremy McKinnon’s screaming vocals, a loud guitar riff follows an overdone beat, producing nothing more than a blaring tune.

Review: Bayside makes waves with seventh studio album ‘Vacancy’

By | Sep 6, 2016

“Vacancy” provides a sense of Bayside’s old sound, which fans can get behind, while still introducing a unique, complicated change to its music.

Review: ‘Little Prince’ transports viewers back to childhood

By | Sep 4, 2016

Netflix’s “The Little Prince,” based on the classic work of Antoine de Saint-Exupéry, delivers such a rich range of emotion, moral and visual complexity. This complexity is evident in “Prince” — each chapter of the Prince’s quest, from his home on the minuscule Asteroid B-612 to the vast expanse of the Sahara Desert, is rendered in stop-motion.

Review: ‘Squad’ adaptation refuses to stay true to comics

By | Aug 22, 2016

The concept of the Suicide Squad — a group of supervillains who are signed up to do the government’s dirty work — is strong. But when a director subtracts the action, emotion and comedic relief, and replaces it with backstories and unaddressed abusive relationships, it fails.

Review: Film pleases mothers and fathers alike

By | May 4, 2016

The film addresses deeply emotional familial issues like divorce, the loss of a parent or partner, insecurity about marriage, a daughter’s trying to reunite with her biological mother, and sisters’ trying to making amends with their parents. Each moment is brought to life on screen by the cast in a way that is honest, relatable and believable.

Review: Metal album smashes

By | May 3, 2016

The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser” is exactly what its title alludes to: It’s a messy celebration of self-destruction.