Review: Passenger’s latest album delivers powerful lyricism
While the album is an enjoyable listen and delivers quality lyrics that Passenger is known for, it lacks musical diversity as a whole.
While the album is an enjoyable listen and delivers quality lyrics that Passenger is known for, it lacks musical diversity as a whole.
On Sept. 25, Streets Alive! Ithaca celebrated between South Plain and West Clinton Street. The event puts emphasis on natural forms of transportation.
The film festival, part of Latinx Heritage Month, began Sept. 20 and runs until Oct. 15, showing 11 films at local venues.
There’s no fooling the internet, which is where this sequel belongs. “Blair Witch” would be better served as a YouTube short than as a feature film.
In “The Divine Feminine,” Miller tries to show he has the chops to make more intricate tracks. He proves his talent by executing talented flow.
The Long Island rock band was formed in 1999 and has released seven full-length albums and two EPs since, proving to stand the test of time.
The group made waves with “Stay Beautiful,” a two-piece acoustic Spotify exclusive, released Sept. 8. Following the release of their second full-length album, “Blush,” “Stay Beautiful” is a coupling of two songs that successfully encompasses the two themes that are most prevalent in Moose Blood’s music: family and love. Their deeply personal lyrics translate beautifully into the stories told by the E.P.’s tracks, “Glow” and “Knuckles.”
The first track, “Glow,” opens up with slow, melodic guitar strumming, which sets a melancholy tone for the rest of the track. The instrumentals are followed by the lyrics, “I said goodbye today / I just watched you drive away / I just stood with mum and waved.” The combination of Eddy Brewerton’s raw vocals and the guitarist’s soft melodies add a heart-wrenching touch to the song. The lyrics provide insight to the difficulties of being separated from one’s father, while sweet melodies and instrumentals envelop the listener. Released as a single on Jun. 1, “Knuckles” is a true anthem to those who have experienced unrequited love. Opening up with the lyrics, “It wasn’t hard to fall for you / You had it all planned out, didn’t you,” the song offers an introspective look at love. The track builds on this knowledge, providing slow, low instrumentals to accompany it, adding to the emotion. It continues later with “That thing you said, stay beautiful / Even though that I know that it’s second hand,” providing more evidence of the heartache being felt by the artist while also referencing the name of the E.P., “Stay Beautiful.” During the last run through of those lines, there are moments of unaccompanied vocals where the listener is left with nothing between them and the music. It’s a period of reflection, for both the listener and the musician.
Viewers meet Michelle Robinson (Tika Sumpter) as she gets ready in her mother’s home for what she calls a “business meeting.” Her mother teases her, saying, “I thought this wasn’t a date?” To Robinson, it wasn’t — until she met the ever-so-charming Barack Obama (Parker Sawyers). Obama and Robinson visit countless places on their date, such as an Afro-Culture museum exhibit, a church meeting and a theater to see the film “Do the Right Thing.”
This album jumps right into its harsh sound with title track “Bad Vibrations.” While old fans will recognize the dark, emo sound and possible nostalgic themes of early 2000s punk, other listeners will skip over this song. Under lead singer Jeremy McKinnon’s screaming vocals, a loud guitar riff follows an overdone beat, producing nothing more than a blaring tune.
“Don’t Breathe” is more grounded in its script and its direction — it doesn’t rely on typical jump scares, but it builds tension throughout.
“Vacancy” provides a sense of Bayside’s old sound, which fans can get behind, while still introducing a unique, complicated change to its music.
Netflix’s “The Little Prince,” based on the classic work of Antoine de Saint-Exupéry, delivers such a rich range of emotion, moral and visual complexity. This complexity is evident in “Prince” — each chapter of the Prince’s quest, from his home on the minuscule Asteroid B-612 to the vast expanse of the Sahara Desert, is rendered in stop-motion.