Review: True crime thriller fails to contribute to genre
“True Story” is a true crime drama that struggles to present itself and ultimately falls flat.
“True Story” is a true crime drama that struggles to present itself and ultimately falls flat.
In this marriage of form and content, an enjoyably mad cinematic experience is born.
The fact that this is the seventh movie in the franchise serves as a true testament as to how dedicated the fans truly are.
After the quick escalation of a house search into a full-on riot, young British soldier Gary Hook (Jack O’Connell) is stranded in enemy streets to fend for himself against the Irish Republican Army.
“Insurgent” adds to the young-adult dystopian genre by building on its predecessor’s fame.
Biased precedents serve as the backdrop for “Gett: The Trial of Viviane Amsalem,” a courtroom drama concentrating on the oppressive, male-dominated culture that society has manufactured.
This award-winning documentary explores the lives of Russia’s secret army during the Cold War: its national hockey team.
In the live-action update of Disney’s original animated feature, “Cinderella” embraces some positive changes while remaining true to the fairy tale.
“A Girl Walks Home Alone At Night,” Ana Lily Amirpour’s directorial debut, puts a stunning spin on the typical story of star-crossed lovers.
“Maps to the Stars” explores incest, rape and schizophrenia in a gripping psychological drama.
“Kingsman: The Secret Service,” starring Colin Firth and Samuel L. Jackson, adds a new flair to the stereotypical spy genre.
Written and directed by Richard Glatzer and Wash Westmoreland, “Still Alice” follows the life of a renowned linguistics professor after she is diagnosed with Alzheimer’s.