THE ITHACAN

Review: Fifth Harmony’s debut album displays mature sound

By Casey Murphy, Staff Writer • February 12, 2015

"Reflection" marks a strong debut for Fifth Harmony, boasting girl-empowering lyrics and strong vocal range.

By Max Denning, Online News Editor • February 11, 2015

Kid Ink's newest album, "Full Speed," bungles his genre with inconsistent style and lack of lyrical prowess.

By Matthew Coogan, Contributing Writer • February 5, 2015

"The Phosphorescent Blues" is the Punch Brothers' best album yet, combining Romantic-era motifs with elements of bluegrass.

By Ashley Wolf, Staff Writer • January 28, 2015

The Decemberists' seventh studio album, "What a Terrible World, What a Beautiful World," pleases fans with an updated, folksy sound.

By Kenny Chapman, Staff Writer • January 21, 2015

Straying from their characteristically indie sound, Guster produces lackluster synthetic vibes in "Evermotion."

By Matthew Radulski, Staff Writer • December 10, 2014

Twenty-one years after the release of their first album, Wu-Tang Clan reunites but ultimately falls flat in "A Better Tomorrow."

By Angela Pontillo, Contributing Writer • November 21, 2013

Eminem's latest record is a follow-up to his hugely popular "The Marshall Mathers LP."

By Aama Harwood, Contributing Writer • September 18, 2013

The Pixies fail to bounce back after losing bass player Kim Deal.

By Benjii Maust, Staff Writer • February 19, 2013

Tim McGraw deviates from traditional style and experiments with other genres in new album "Two Lanes of Freedom."

By Jared Dionne, Senior Writer • February 14, 2013

Indians launches its first album "Somewhere Else," a soothing and eclectic musical exploration.

By Benjii Maust, Staff Writer • February 14, 2013

Sharon Needles provides a risque and macabre album with "PG-13."

By Jared Dionne, Senior Writer • January 29, 2013

American band Ra Ra Riot adapts baroque pop label to fit indie standards in new album "Beta Love."