One question plagues the audience throughout “The Dirt”: At what point in the movie is the audience supposed to accept sweet and baby-faced Douglas Booth as the hard-rocking, heroin-shooting, Jack-Daniels-bottle-smashing Nikki Sixx?
If Illinois-based emo group American Football’s debut album, “LP1,” was an introduction to the band and their second album, “LP2,” a reintroduction about 17 years later, its latest release, “LP3,” is the group’s reinvention.
An image of the Virgin Mary as an undocumented, Latina teenager may conjure up confusion — and even vehement rejection — from conservative religious followers.
Wharton Studio Museum’s “Silents Roar!” Film Festival is giving Southern Tier youth the opportunity to produce silent film projects about topics of their choice and compete for prizes.
The latest brand of young adult romance seems to revel in the bittersweet tragedy of chronically ill teens falling passionately in love.
Mat Fournier, assistant professor in the Department of Modern Languages and Literatures, is bringing discussions about transgender children into an academic setting.
Ubisoft’s “Tom Clancy’s The Division 2” regurgitates the cliche, fictional story of a crumbling society as the same crippling epidemic from the previous game in the series brings the United States to its knees.
“Triple Frontier” is shaped by three things — a cataclysmic heist feat, bitter ex-soldiers and the blurry setting in which director J.C.
David Archuleta was just 16 when Americans fell in love with his smooth voice, fresh face and endearing disposition as the runner-up on the seventh season of “American Idol” in 2008.
The artistic city of Ithaca has a new multimedia production house, House of Ithaqua (HOI).
Perhaps the reason why Patty Griffin has decided to name her latest album after herself is because, above all else, her soothing and intimate voice dominates the stripped tracklist.
Media covering mental illness is often touchy.
