“Missing Link” is a visually spectacular stop-motion film about friendship and finding one’s place in the world.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
Labrinth, Sia and Diplo joined forces and conceived an album, perfectly balancing their styles and strengths to produce a masterpiece that is as exceptional as its creators.
With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.
Khalid’s new album, “Free Spirit,” is the record of the summer, made for wind-whipped midnight car rides, relaxing in bed on an easy Sunday afternoon with a cup of coffee or for a gloomy, rainy day with thunder rolling by.
Disney’s live-action remakes have hit a rocky point as they adapt one of its more unusual characters in “Dumbo.” Directed by Tim Burton, “Dumbo” seeks to recreate the 1941 animated classic on a larger scale, and it succeeds occasionally, but not enough to distract from its lack of pizazz.