Khalid’s new album, “Free Spirit,” is the record of the summer, made for wind-whipped midnight car rides, relaxing in bed on an easy Sunday afternoon with a cup of coffee or for a gloomy, rainy day with thunder rolling by.
“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.
If an ominous phantom tells you not to mess with the barrier between life and death, you’d think you should listen to him.
The Ithacan was given awards in multiple categories from Society of Professional Journalists (SPJ) and the New York Press Association.
Junior Sophia Adamucci, was appointed to the position of editor-in-chief of The Ithacan for the 2019–20 academic year on April 9.
As the semester comes to an end, members of the Class of 2019 at Ithaca College will be participating in several ceremonies, collecting their graduation regalia and preparing for graduation.
Disney’s live-action remakes have hit a rocky point as they adapt one of its more unusual characters in “Dumbo.” Directed by Tim Burton, “Dumbo” seeks to recreate the 1941 animated classic on a larger scale, and it succeeds occasionally, but not enough to distract from its lack of pizazz.
During the month of April, students of Asian and Pacific Islander heritage are celebrating their identities.
“The Beach Bum,” a movie written and directed by Harmony Korine, is about exactly what one might expect from the title, and absolutely nothing more.
A young man and young woman lie naked on the side of a road in Mahipalpur, India, at nighttime.
Few images have been burned into the American consciousness like the young robbers’ violent demise in Arthur Penn’s “Bonnie and Clyde.” Bullets punch through the car into Bonnie and catch Clyde in an agonizing slow-motion free-fall, a haunting, iconic scene that looms over John Lee Hancock’s new Netflix drama, “The Highwaymen.” It’s about the Texas Rangers who riddled Bonnie and Clyde with bullets, and Hancock’s film never leaves the shadow of Penn’s 1967 take on the story.
