Review: Neo-noir romance draws viewers in close
Park Chan-wook returns with “Decision to Leave,” a masterfully crafted film that finds where the impassioned love story meets the detective crime thriller.
Park Chan-wook returns with “Decision to Leave,” a masterfully crafted film that finds where the impassioned love story meets the detective crime thriller.
Following the success of “Booksmart,” Olivia Wilde returns to the director’s chair. Unfortunately, a lazy script makes “Don’t Worry Darling” unsatisfactory, despite Florence Pugh’s best efforts.
In the thrillingly unpredictable new horror movie “Barbarian,” two strangers find themselves stuck in a house full of secrets together.
Alexander Skarsgård takes on the role of a village raider in a beautifully filmed but disappointing Robert Eggers film.
“Fresh” showcases the dating world for women being a place of danger and risk.
Giving a much-needed breath of fresh air to the crime-thriller genre, “I Care a Lot” is a gratifying adrenaline rush from start to finish.
Director Jeff Baena’s Sundance Film Festival entry “Horse Girl” is a bizarre experience that tackles difficult topics, including mental health, with a unique twist.
To predict “Parasite” is to ask the impossible, like erasing a memory, turning backward in time or evading gravity.
What happens when a cold-blooded serial killer reincarnates into a newborn baby’s body?
Netflix original series “Kingdom” takes zombie-horror to a whole new level.
It’s an unpleasant movie that successfully tells the story Levinson set out to make, but that narrative is too grotesque and cruel to enjoy.
“The Predator” is another forgettable sequel to a franchise that has never come close to the excitement of the original.