Reviews

“Forbidden Fruits” bites off more than it can chew as an overwhelming feminist comedic-horror satire

By Georgie Gassaro, Staff Writer • March 31, 2026

The new thriller-comedy film “Forbidden Fruits” will not become a cult classic — yet. It is insanely camp and truly smart, but the bold genre-blending and all-encompassing reach leads to overwhelming storytelling that cannot resist piling on one more plot point or emblematic joke. 

Overwhelming writing turns Ducournau’s ‘Alpha’ to stone

By Riley Young, Staff Writer • March 30, 2026

Nearly five years after “Titane” (2021), filmmaker Julia Ducournau returns with her latest film, “Alpha,” released March 27 in the U.S.

‘Project Hail Mary’ answers viewers’ prayers

By Ray Milburn, Senior Writer • March 23, 2026

Directors Phil Lord and Christopher Miller lead an expert team of creatives to the stars in the highly anticipated adaptation of Andy Weir’s hard sci-fi bestseller “Project Hail Mary.” The movie, which blasted into theaters March 20 with a record-breaking opening weekend, has all the hallmarks of a Weir classic: accurate science, nailbiting tension and shamelessly brilliant characters. 

‘The Bride!’ is a monstrous mess

By Riley Jones, Contributing Writer • March 11, 2026

Maggie Gyllenhaal’s long-awaited second film, “The Bride!” was released in theaters worldwide March 6. With the award season buzz surrounding Guillermo Del Toro’s “Frankenstein,” which released Oct. 17, and other remakes of classic monster films like Robert Eggers’ “Nosferatu” performing quite well a few years ago, Gyllenhaal’s remake of “The Bride of Frankenstein” feels like it was released at the perfect time.

Harry Styles does not stray from new spaces in ‘Kiss All The Time. Disco, Occasionally’

By Lucia Iandolo, Photographer • March 10, 2026

Harry Styles has let the light in and beautifully emulated love in its truest form with his fourth studio album, “Kiss All The Time. Disco, Occasionally.” The album was released March 6, and was Styles’ first studio album since his Album Of The Year, “Harry’s House” in 2022. In true Harry fashion, the English singer/songwriter has returned with a style that is simply unmatched. 

Baby Keem makes his return with ‘Ca$ino’

By Alec Aleva, Contributing Writer • March 9, 2026

Where is Baby Keem? Everyone involved in the music world in some capacity has been asking this question for the past five years. 

Baz Luhrmann’s ‘EPiC’ keeps the King’s voice alive

By Julia Thorndike, Contributing Writer • March 9, 2026

Director Baz Luhrmann surprised film buffs and rock ‘n’ roll fans alike with the announcement of his newest film, “EPiC (Elvis Presley in Concert),” as a follow-up to his 2022 biopic “Elvis.” Luhrmann used previously unseen footage to compile a collection of Elvis’ most heartfelt behind-the-scenes moments and bedazzling performances.

Mediocrity kills the essence of new ‘Scream’ sequel

By Abbi Puckett, Staff Writer • March 4, 2026

Thirty years after the release of the original “Scream,” the iconic story continued Feb. 27 with “Scream 7.” In a lazy writing decision, the disturbing plot finds the killer using artificial intelligence, hurting the true sense of the “Scream” films after 30 years of original plotlines.

Whip-smart film depicts BDSM and human connection

By Brian Murray, Staff Writer • March 3, 2026

Self-discovery is an odd gift that comes in many forms. In “Pillion,” the thoughtful new dramedy from writer-director Harry Lighton, it comes in the form of a brooding biker with a taste for dominance.

Bruno Mars strums heartstrings with ‘The Romantic’

By Ava Suffredini, Staff Writer • March 3, 2026

The yearner himself made his grand return with the release of “The Romantic” on Feb. 27. This is Bruno Mars’ first solo album in 10 years, and it does not disappoint. 

‘How to Make a Killing’ slaughters its own interesting concept

By Joseph Bucher, Assistant Photo Editor • February 26, 2026

Action star Glen Powell forms a “get-rich-quick” scheme that’s likely more ethical than any money-making methods of actual billionaires in John Patton Ford’s dark comedy “How to Make a Killing,” released Feb 20.

Megan Moroney hits ‘Cloud 9’ with new album

By Liam McDermott, Senior Writer • February 25, 2026

Megan Moroney, a 28-year-old country artist from Georgia, released her third studio album titled “Cloud 9” on Feb. 20. Since her sophomore album “Am I Okay?,” Moroney’s popularity blew up significantly because of her emotional and personal lyrics. “Cloud 9” has a happier tone than Moroney’s previous albums, but still has the relatable lyrics that fans love.