The Office of Intercollegiate Athletics and Recreational Sports takes issues of enrollment and eligibility very seriously.
Two years after taking a dreary look at Hollywood in “Lust For Life,” Lana Del Rey returns to her nostalgic roots with her sixth and latest record, “Norman F—— Rockwell!” The album cover features a painted blue sky and Del Rey with a male companion, reaching out to the camera, inviting the listener to join her.
On a dreary Sunday afternoon, approximately 3,400 brightly colored rubber ducks tumbled over Cascadilla Falls, racing to reach the end of their long journey along Cascadilla Creek.
Cage the Elephant’s “Social Cues,” the American rock band’s fifth studio album, might appeal to its veteran fans, whose die-hard attitude toward the group will keep them listening if only out of loyalty.
As students shuffle into room 302 in Friends Hall, Powerpoint slides referencing the “hiragana,” or Japanese writing, of the week are screened on to the projector.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.
Cyndy Scheibe, professor in the Department of Psychology, said that when observing move-in day, it is always interesting for her to observe the relationships between parents and their kids.