“Gladiator II” is the highly-anticipated, 20-years-in-the-making sequel to 2000’s “Gladiator.” Ridley Scott brings the heat with bigger battles, rabid CGI animals and the flawless casting of Denzel Washington as the film’s lead antagonist. While earlier scripts had Russell Crowe’s Maximus fighting through the underworld to reclaim his life, this sequel includes only a few flashback clips of the original protagonist. Maximus’ bold presence is instead filled by Lucius (Paul Mescal), Lucilla’s (Connie Nielsen) son from the first film. Unlike Maximus, general of the vast Roman army and an established leader from the get-go, Lucius commands his village’s small artillery that tries to fend off the Roman ships.

“Here” was released by SONY Pictures on Nov. 1 to resounding indifference. This film marks the return of Robert Zemeckis, director of “Forrest Gump” and “Back to the Future.” It also serves as the long-awaited on-screen reunion of Tom Hanks and Robin Wright. “Here” had all the makings to be great, yet fails in all the places that count. The film’s concept is simple. The camera never moves. This concept, while interesting, proved difficult in execution for a feature-length film. Despite this, the film has its merits and utilizes its premise to the fullest –– albeit quite dragged out –– potential.

Jack London’s “The Call of the Wild” is a timeless story, and the film adaptation tells it well. But director Chris Sanders’ film looks artificial and strange, like Robert Zemeckis’ “The Polar...

Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see. Marshall’s...

To anyone contemplating seeing this atrocity, don’t. Go see “Blade Runner 2049” instead.