Chloé Zhao’s “Nomadland” is a slow slog through the desert with actor Frances McDormand. The use of a Hollywood name like McDormand makes the film feel less authentic than Zhao’s other works.
In 1968, FBI director J. Edgar Hoover exclaimed that the FBI would do anything in its power to “prevent the rise of a ‘messiah’ who could unify and electrify the militant Black nationalist movement.”
What role nepotism plays in the failure of “Malcolm & Marie,” Netflix’s latest awards-vying disaster, should be obvious.
The Ithacan · ‘Deja View’ – “Dope” (2015)
In the first episode of ‘Deja View: Celebrating Black Creators,’ host Rachael Weinberg talks to Ithaca College Alum Leighton Watson about his favorite movie ‘Dope’ (2015).
Watching an episode of ’s hit show “Impractical Jokers” is like hanging out with a group of high school class clowns — except they are all middle-aged and have a long-running television show.
Jack London’s “The Call of the Wild” is a timeless story, and the film adaptation tells it well.
Even before “Fantasy Island” begins, the movie is trying to scare you.
Director Jeff Baena’s Sundance Film Festival entry “Horse Girl” is a bizarre experience that tackles difficult topics, including mental health, with a unique twist.
Predictable, disorganized and monotonous are just a few words to describe “The Rhythm Section,” a fast-paced action drama directed by Reed Morano.
The Netflix documentary “Miss Americana” is an exercise in public image.
Set during World War I, “1917” is a grand-scaled epic directed and co–written by Sam Mendes.
The first part of the “IT” franchise opens with an iconic scene: Pennywise the Clown (Bill Skarsgård) confronts Georgie (Jackson Robert Scott) in a sewer; the scene results in the 6-year-old boy’s arm viciously being bitten off in the clown’s jaws.
