The first part of the “IT” franchise opens with an iconic scene: Pennywise the Clown (Bill Skarsgård) confronts Georgie (Jackson Robert Scott) in a sewer; the scene results in the 6-year-old boy’s arm viciously being bitten off in the clown’s jaws.
“Her Smell,” an indie drama from writer and director Alex Ross Perry, is painfully slow in spite of the pure chaos it depicts.
For decades, horror movies have replicated the hard work “The Exorcist” did in 1973 to produce one sleek but soulless thrill ride after another.
“Missing Link” is a visually spectacular stop-motion film about friendship and finding one’s place in the world.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.
With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.
The artistic city of Ithaca has a new multimedia production house, House of Ithaqua (HOI).
The new Netflix film “High Flying Bird,” which was shot completely on an iPhone, delves deep into the relationship between sports and the politics of the United States’ capitalist society.
What happens when a cold-blooded serial killer reincarnates into a newborn baby’s body?
A Gryffindor, Spider-Man and a Stormtrooper walk into a room.
During Communist rule in the Czech Republic, movie creators had to get creative when expressing their critiques of the regime through their art.
